Poster der Kunstverein iz Zürich, Studie

Ein beeindruckendes Gemälde von Ferdinand Hodler aus dem Jahr 1897 zeigt eine Frau mit langen roten Haaren und einem Schnittmuster – ein Meisterwerk der Schweizer Symbolismuskunst im Nationalgalerie Sarajevo.


Ferdinand Hodler (1853 - 1918)

Entdecken Sie Ferdinand Hodler (1853-1918), den Schweizer Symbolisten & Art Nouveau Maler! Erfahren Sie mehr über seinen einzigartigen 'Parallelismus' Stil und seine eindringlichen Darstellungen von Leben, Tod & Natur. Ein Vorreiter des Expressionismus.

Nationalgalerie Bosnien und Herzegowina (Sarajevo, Bosnia)

Erkunden Sie Bosniens Kunstgeschichte im Nationalgalerie Sarajevo! Über 6000 Meisterwerke von Hodler, Jugoslawien und mehr – ein kulturelles Juwel seit 1946.

Poster of the Arts Association iz Zürich, Study – Ferdinand Hodler

Ferdinand Hodler’s “Poster of the Arts Association iz Zürich, Study” stands as a testament to the burgeoning Symbolist movement in Switzerland at the cusp of the 20th century. Created in 1897 and currently residing within the National Gallery of Bosnia and Herzegovina in Sarajevo, this gouache painting transcends mere visual representation; it delves into profound psychological exploration and embodies Hodler’s signature “parallelism.” The artwork depicts a woman seated in profile, her gaze directed downwards, enveloped in a serene stillness that belies an underlying tension. Her long, fiery red hair cascades down her back—a deliberate choice reflecting the Symbolist preoccupation with primal emotions and subconscious impulses.
  • Artist: Ferdinand Hodler (1853 – 1918)
  • Date: 1897
  • Location: National Gallery of Bosnia and Herzegovina, Sarajevo
  • Medium: Gouache on Paper
Hodler’s masterful use of gouache—a pigment binder that produces opaque watercolor effects—allowed him to achieve a luminous color palette dominated by earthy tones contrasted with vibrant reds. This technique lends itself beautifully to capturing the subtle nuances of light and shadow, mirroring the Symbolist desire to depict inner states rather than external appearances. The composition is strikingly symmetrical, reinforcing Hodler’s belief in universal harmony – a core principle of his artistic philosophy. The woman's posture exudes calmness, yet her downward gaze hints at contemplation and perhaps even melancholy—themes frequently explored by Hodler to convey the complexities of human experience. The painting’s symbolism extends beyond its color scheme. The woman herself represents femininity and receptivity, while the scissors she holds serve as a potent emblem of transformation and detachment. These elements align with Symbolist ideas about confronting mortality and accepting change as inevitable aspects of life's journey. Hodler’s meticulous attention to detail—particularly in rendering the texture of her hair and clothing—further enhances the artwork’s expressive power, inviting viewers to immerse themselves in its contemplative atmosphere. “Poster of the Arts Association iz Zürich, Study” is more than just a depiction; it’s an invitation to consider the deeper meanings embedded within visual art. Hodler's pioneering approach to Symbolism continues to inspire artists and collectors alike, cementing his place as one of Switzerland’s most influential painters—a figure whose work resonates with timeless themes of beauty, sorrow, and the pursuit of spiritual understanding. Owning a high-quality reproduction allows you to experience this captivating artwork firsthand, bringing Hodler's vision of harmony and introspection into your home.