Pierced screen [jali]

Exquisite Mughal jali screen from 1630, showcasing intricate red sandstone carvings and floral motifs typical of Shah Jahan's reign. This stunning artwork evokes the grandeur of Indian architecture and offers a timeless piece of art to own.


Mogulreich (1526 - 1857)

Erkunden Sie die opulente Welt der Mogulkunst & -architektur! Entdecken Sie lebendige Miniaturen, kunstvolle Metallarbeiten und ikonische Bauwerke wie das Taj Mahal – ein Erbe von Indiens reicher Vergangenheit.

National Gallery of Australia (Canberra, Australien)

Entdecken Sie die National Gallery of Australia in Canberra! Bewundern Sie australische & internationale Kunst, indigene Meisterwerke und ikonische Porträts. Ein kulturelles Highlight für Kunstliebhaber!

The buildings commissioned by the Mughal emperors were grand and luxurious, but also reflected a practical approach to the harsh Indian climate. Pierced stone screens, known as jali, were used widely in Indian architecture as windows, room dividers and railings. They were often incorporated into external walls, especially those of women’s quarters. The openwork permitted light and air to enter while protecting the interior from both public view and the heat of the sun. Jali screens also created the visually pleasing effect of geometric patterns of light and shade, changing with the time of day.This delicate red sandstone latticework screen is from Bharatpur in Rajasthan, northern India. It displays a cusped arch within a frame. The arch contains interconnected medallions in a trellis design, each enclosing decorative scrolling and flower heads. This floral design is typical of art produced during the reign of the Mughal emperor Shah Jahan. In addition to architecture, the motif of a flower within a trellis decorated many objects from the time, including textiles, carpets and manuscripts.Text © National Gallery of Australia, Canberra 2010From: Ron Radford (ed), Collection highlights: National Gallery of Australia, National Gallery of Australia, Canberra, 2008