Kiyotaki Kannon Wasserfälle bei Sakanoshita auf der Tokaido
Katsushika Hokusai (1760 – 1849)
Entdecken Sie Katsushika Hokusai (1760-1849), den Meister des japanischen Ukiyo-e! Erleben Sie 'Die große Welle', Landschaften, Manga & Holzschnitte. Beeinflusste Impressionismus uvm!
Katsushika Hokusai’s Kiyotaki Kannon Waterfall: A Symphony of Line and Tranquility
Katsushika Hokusai's *Kiyotaki Kannon Waterfall at Sakanoshita on the Tokaido*, created around 1832-1833, transcends mere topographical depiction; it embodies a meditative contemplation of nature and spiritual serenity—a characteristic that cemented Hokusai’s legacy as one of Japan’s foremost landscape artists. This woodblock print, part of his ambitious *Thirty-Six Views of Mount Fuji* series, speaks volumes about the artistic sensibilities of the Edo period and continues to inspire awe in viewers today.- Subject Matter: The print captures Kiyo Waterfall nestled within the Tokaido highway – a vital route connecting Edo (Tokyo) to Kyoto during the Edo period. More than just a scenic vista, it portrays a shrine dedicated to Kannon Bosatsu, the Bodhisattva of Compassion, symbolizing hope and protection for travelers embarking on this arduous journey. The careful positioning of figures—primarily pilgrims—adds depth to the scene, grounding it in the realities of daily life while simultaneously elevating it to a realm of spiritual contemplation.
- Style: Hokusai’s style is instantly identifiable by its bold simplification—a technique born from necessity during a time when printing presses were still developing. Lines are compressed and stylized to convey movement and depth, prioritizing expressive force over meticulous realism. This approach aligns perfectly with the aesthetic principles of *hokuyo*, or “dry brush,” emphasizing tonal variation rather than detailed shading. The artist eschews fussy ornamentation, favoring instead an austere elegance that underscores the grandeur of the landscape itself.
- Technique: The print’s execution involved a complex process utilizing multiple blocks carved from wood—one for the mountainscape itself, another for the waterfall and surrounding foliage, and yet another for the shrine and its deity. Ink is applied to these blocks in succession, transferring pigment onto paper with astonishing precision. The subtle gradations of color achieved through layering inks contribute significantly to the print’s atmospheric quality. This masterful technique—a hallmark of *ukiyo-e*—demonstrates Hokusai's unparalleled mastery of printmaking and elevates the artwork beyond a mere visual representation.
Über dieses Kunstwerk
- Titel: Kiyotaki Kannon Wasserfälle bei Sakanoshita auf der Tokaido
- Künstler: Katsushika Hokusai
- Format: Hochformat
- Urheberrechtlicher Status: Gemeinfreiheit
- Technik: Wandkunst
- Schöpferische Phase: Mature Period
- Farbpalette: Neutrale Töne
- Verwendungszweck: Akzentuierung
- Schlagworte: zen garten , landschaftsgemälde , tokaido weg
- Empfundene Helligkeit: strahlend
Eckdaten
- Dimensions: ca. 37,5 x 25,4 cm
- Notable elements or techniques: Dynamische Komposition; Szenische Darstellung
- Year: 1832–1833
- Medium: Holzschnitt; Druckfarbe auf Papier
- Title: Kiyotaki Kannon Waterfall
- Influences: Japanische Landschaftskunst
- Movement: Japanische Landschaftsmalerei
