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Exodus #18, And he wrote upon the tablets the words of the covenant, the Ten Commandments

Peter Lipman-Wulf (1905 – 1993)

Peter Lipman-Wulf (1905-1993) war ein deutscher Bildhauer und Grafiker dessen expressionistische Werke die Turbulenzen seiner Zeit widerspiegelten. Entdecken Sie seine biblischen Themen und mythologischen Szenen sowie eine einzigartige Mischung aus deutschen Expressionismus und amerikanischen Einflüssen.

Leo Baeck Institut (New York City, Vereinigte Staaten von Amerika)

Erkunden Sie die Geschichte und Kultur der deutschjüdischen Bevölkerung in den Vereinigten Staaten bei dem Leo Baeck Institut in New York City! Entdecken Sie seltene Bücher, Archive, Holocaustforschung und lebendige Programme, die ein wichtiges Erbe seit 1955 bewahren.

A Divine Encounter in Ink and Wood

In the profound stillness of Peter Lipman-Wulf’s 1960 masterpiece, Exodus #18, And he wrote upon the tablets the words of the covenant, the Ten Commandments, we are invited to witness a moment of cosmic significance. This evocative work transcends mere biblical illustration, offering instead a visceral connection to the sacred. The painting presents a striking close-up of two weathered wooden tablets, their surfaces etched with the ancient Hebrew script of the Decalogue. There is an undeniable weight to the composition; the texture of the wood and the deliberate, almost rhythmic engraving of the letters suggest a permanence that defies the passage of time. Through his masterful use of detail, Lipman-Wulf captures not just the text of the covenant, but the very essence of divine law being etched into the physical world.

The brilliance of this piece lies in its unexpected visual tension. While the tablets serve as the structural anchor of the work, a hauntingly beautiful element emerges from the periphery: a face peeking softly from behind the heavy wood. This subtle inclusion transforms the painting from a historical tableau into a psychological experience. It introduces a sense of divine presence—or perhaps human witness—that watches over the sacred text with an intensity that is both protective and awe-struck. This interplay between the tangible, textured tablets and the ethereal, partially obscured figure creates a dynamic composition that keeps the viewer’s eye moving, searching for meaning within the shadows and the light.

Expressionist Roots and Spiritual Depth

Drawing from his rich heritage of German Expressionism, Lipman-Wulf employs a technique that favors emotional truth over photographic realism. The bold lines and the interplay of light and shadow serve to heighten the drama of the Exodus narrative. As a sculptor and printmaker by training, the artist brings a tactile sensibility to this painting; one can almost feel the grain of the wood and the depth of the incisions. This mastery of form allows the artwork to resonate with a profound sense of gravity, making it an ideal centerpiece for those who appreciate art that speaks to the soul. The piece serves as a bridge between the turbulent history of the twentieth century and the timelessness of ancient myth.

For the discerning collector or interior designer, this reproduction offers more than just aesthetic beauty; it provides a focal point of contemplation. Whether placed in a quiet study, a grand library, or a contemporary living space, the painting’s rich textures and deep symbolic layers command attention. It is a work that invites conversation, prompting reflections on law, morality, and the unseen forces that shape human existence. Owning such a piece is an opportunity to surround oneself with a fragment of history that remains vibrantly alive, capturing a moment where the earthly and the divine momentarily intersect.


Über dieses Kunstwerk

Eckdaten

  • Dimensions: 51 x 65 cm
  • Subject or theme: The Ten Commandments and Biblical covenant
  • Artistic style: German Expressionism
  • Year: 1960
  • Artist: Peter Lipman-Wulf

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