Costume/coat from the Georgian movie
Rewas Iwanowitsch Mirsaschwili (1901 – 1988)
Revaz Ivanovich Mirzashvili (1901-1988) war ein führender georgisch-sowjetischer Szenenbildner, bekannt für Kostüme in Filmen wie *Mamluqi* und Kollaborationen mit Eldar Shengelaia. Entdecken Sie sein kulturelles Erbe.
Kunstpalast Georgiens – Museum für Kulturgeschichte (Tbilisi, Georgien)
Ein beeindruckendes Kunstgebäude in Tbilisi! Erforschen Sie georgische Theaterkunst und Musikgeschichte sowie außergewöhnliche Gemälde von Künstlern wie Cristoforo Castelli und Grigory Gagarin.
A Tapestry of Georgian Heritage
In the realm of cinematic history, few artifacts capture the soul of a culture as vibrantly as this exquisite red bolero, a costume designed by the legendary Revaz Ivanovich Mirzashvili for a 1959 Georgian film production. This garment is not merely a piece of clothing; it is a wearable masterpiece that serves as a window into the opulent traditions of Georgia. The jacket, rendered in a breathtakingly deep crimson, commands immediate attention, acting as a focal point of intense color and cultural pride. Against its stark, minimalist background, the coat emerges with a sculptural presence, inviting the viewer to contemplate the intersection of film history and folk artistry.
The craftsmanship displayed in this piece is nothing short of extraordinary, showcasing a meticulous technique that blends the precision of production design with the soul of traditional hand-sewing. Every inch of the silk base is transformed through an intricate dance of gold and silver threads, creating a textured landscape of light and shadow. The use of appliqué and dense beadwork introduces a tactile dimension to the work, where geometric stars and diamonds interlace seamlessly with flowing floral motifs. This rhythmic pattern of curvilinear lines creates a sense of movement even in stillness, as if the garment itself were breathing with the energy of the era from which it sprang.
Symbolism and Cinematic Splendor
Beyond its physical beauty, the costume carries profound symbolic weight. The choice of red—a color synonymous with passion, vitality, and royal lineage—suggests a character of significant status and strength. The metallic embellishments do more than just catch the light; they represent the wealth and enduring cultural heritage of the Georgian people. As an artifact of the mid-twentieth century, it reflects a period when art directors like Mirzashvili used costume to build immersive worlds, using texture and luster to communicate narrative depth without a single word being spoken.
For the discerning collector or interior designer, this piece offers more than just visual decoration; it provides an emotional anchor. The sheer opulence of the embroidery evokes a sense of nostalgia for the golden age of cinema and a deep respect for the artisanal traditions that are often lost in the modern age. Whether reimagined as a high-quality reproduction in a gallery setting or used as inspiration for luxurious textile design, this work continues to radiate an aura of prestige and artistic mastery, making it a timeless addition to any collection dedicated to the beauty of global heritage.
Über dieses Kunstwerk
- Titel: Costume/coat from the Georgian movie
- Künstler: Rewas Iwanowitsch Mirsaschwili
- Jahr: 1959
- Format: Portrait
- Urheberrechtlicher Status: Urheberrechtlich geschützt
- Ausstellung/Standort: Kunstpalast Georgiens – Museum für Kulturgeschichte
- Bewegung: Folk Art
- Epoche: Modern
- Technik: Textile
- Farbpalette: Neutrals
Eckdaten
- Subject or theme: Traditional Georgian cultural heritage
- Artistic style: Folk art, costume design
- Year: 1959
- Artist: Revaz Ivanovich Mirzashvili
- Medium: Silk, gold and silver threads, beads


