Zeitraum

1. King Mark and La Belle Iseult — Edward Coley Burne-Jones
2. Burne Jones King Mark and La Belle Iseult (detail) — Edward Coley Burne-Jones
3. Vespertina Quies — Edward Coley Burne-Jones, 1893
4. Pygmalion and the Image II - The Hand Refrains — Edward Coley Burne-Jones

Bewegung

1. King Mark and La Belle Iseult — Edward Coley Burne-Jones
2. Burne Jones King Mark and La Belle Iseult (detail) — Edward Coley Burne-Jones
3. Das letzte Gericht — Edward Coley Burne-Jones
4. König Kopetua und die Bettlerin — Edward Coley Burne-Jones, 1884
5. Studienkopf Maria Zambaco, vermutlich für „Der Wein von Circe“ — Edward Coley Burne-Jones
6. “Die letzte Schlafesstunde Arthurs im Avalond” — Edward Coley Burne-Jones, 1881
7. Pygmalion and the Image II - The Hand Refrains — Edward Coley Burne-Jones
8. St Paul, window from the Chapel of Cheadle Royal Hospital, Manchester — Edward Coley Burne-Jones, 1892

Stimmung

1. King Mark and La Belle Iseult — Edward Coley Burne-Jones
2. Burne Jones King Mark and La Belle Iseult (detail) — Edward Coley Burne-Jones
3. Vespertina Quies — Edward Coley Burne-Jones, 1893
4. Der Abschiedende Ritter — Edward Coley Burne-Jones
5. Das letzte Gericht — Edward Coley Burne-Jones
6. König Kopetua und die Bettlerin — Edward Coley Burne-Jones, 1884
7. Studienkopf Maria Zambaco, vermutlich für „Der Wein von Circe“ — Edward Coley Burne-Jones
8. “Die letzte Schlafesstunde Arthurs im Avalond” — Edward Coley Burne-Jones, 1881
9. Pygmalion and the Image II - The Hand Refrains — Edward Coley Burne-Jones
10. Burne Jones Pygmalion and the Image II The Hand Refrains — Edward Coley Burne-Jones

Themen

1. Portrait Of Georgiana Burne-Jones — Edward Coley Burne-Jones

Schlagworte

1. St Paul, window from the Chapel of Cheadle Royal Hospital, Manchester — Edward Coley Burne-Jones, 1892

Tonwert

1. King Mark and La Belle Iseult — Edward Coley Burne-Jones
2. Female head — Josep De Togores Llach, 1923
3. Vespertina Quies — Edward Coley Burne-Jones, 1893
4. Der Abschiedende Ritter — Edward Coley Burne-Jones
5. König Kopetua und die Bettlerin — Edward Coley Burne-Jones, 1884
6. “Die letzte Schlafesstunde Arthurs im Avalond” — Edward Coley Burne-Jones, 1881

Hauptfarbe

1. Portrait of a Lady — Alexei Alexeievich Harlamov
2. Head of a Girl — Edward Coley Burne-Jones
3. Study of his head — Edward Coley Burne-Jones
4. St Paul, window from the Chapel of Cheadle Royal Hospital, Manchester — Edward Coley Burne-Jones, 1892
5. Olive Maxse wc — Edward Coley Burne-Jones
6. Portrait of Ignacy Jan Paderewski — Edward Coley Burne-Jones
7. Desiderium — Edward Coley Burne-Jones, 1873
8. The Duchess of Portland (1863–1954) — violet manners, 1898
9. Lady Ribblesdale, née Tennant (1858–1911) — violet manners
10. Mrs J. Bagot (1864–1940) — violet manners, 1890
11. untitled (423) — Edward Coley Burne-Jones
12. Studienkopf Maria Zambaco, vermutlich für „Der Wein von Circe“ — Edward Coley Burne-Jones
13. Pygmalion and the Image II - The Hand Refrains — Edward Coley Burne-Jones
14. Burne Jones Pygmalion and the Image II The Hand Refrains — Edward Coley Burne-Jones
15. Female head — Josep De Togores Llach, 1923
16. Autorretrato — Regina Veiga De Oliveira, 1920
17. Burne Jones King Mark and La Belle Iseult (detail) — Edward Coley Burne-Jones
18. Der Abschiedende Ritter — Edward Coley Burne-Jones

andere