Zeitraum

1. Jas de Bouffan, der Teich — Paul Cézanne, 1876

Bewegung

1. Jas de Bouffan, der Teich — Paul Cézanne, 1876
2. Landscape with Stream — Ernest Lawson, 1915
3. Restaurant Limeil Brevannes — Maurice Utrillo
4. Italienische Landschaft durch eine Dachhaut — hilaire-germain-edgar degas, 1859
5. Martinique Landscape — Eugène Henri Paul Gauguin, 1887

Stimmung

1. Landscape with Tall Rocks — Herman van Swanevelt, 1643
2. Jas de Bouffan, der Teich — Paul Cézanne, 1876
3. Italian Landscape with Mountains and a River — Joseph Wright von Derby, 1790
4. Italian Landscape — Jakob Philipp Hackert, 1795
5. Jas de Buffan, der Teich — Paul Cézanne

Themen

Schlagworte

Tonwert

1. Jas de Bouffan, der Teich — Paul Cézanne, 1876
2. Italian Landscape — Jakob Philipp Hackert, 1795
3. Jas de Buffan, der Teich — Paul Cézanne

Hauptfarbe

1. Italian Landscape with Mountains and a River — Joseph Wright von Derby, 1790
2. Rue Norvins _Montmartre — Maurice Utrillo, 1916
3. Norvins street near Montmartre — Maurice Utrillo
4. Landscape with Stream — Ernest Lawson, 1915
5. Martigues — William H. Johnson, 1932
6. An Italianate landscape with elegant figures on horseback, before a riverside town An Italianate landscape with horsemen crossing a bridge, a lady and gentleman in the foreground — giovanni battista cimaroli
7. Italian Landscape — Henry Scott Tuke, 1881
8. Restaurant Limeil Brevannes — Maurice Utrillo
9. Italian Landscape — Jakob Philipp Hackert, 1795
10. Street In Montmartre 4 — Maurice Utrillo
11. The Bridge, Paris — Ronald Ossory Dunlop, 1938
12. Italienische Landschaft durch eine Dachhaut — hilaire-germain-edgar degas, 1859
13. A Canal in Burano, Venice — paul mathieu
14. The Mirror, Cos Cob, Connecticut — Frederick Childe Hassam
15. Italian Landscape — Jan Asselyn
16. Italian landscape — richard wilson

andere

1. Italian Landscape, Nicolaes Pietersz Berchem, 1650 - 1683 — Nicolaes Berchem, 1683
2. Landschaft Italienisch — pierre athanase chauvin
3. Lansdown Crescent, Bath — Walter Richard Sickert, 1917
4. Venezianische Ansicht — Antonio María Reyna Manescau