Zeitraum

Bewegung

1. CALLIGRAPHY COUPLET IN SEAL SCRIPT — Wu Dacheng
2. Model Calligraphies from the Chunhua Era (Chunhua ge tie) Quanzhou version, part of juan 6-8\n\nImage 1 — Gustav Mahler, 1100
3. “The Epitaph of Tang Yan” in Cursive Script (handscroll) — Zhu Zhishan
4. CALLIGRAPHY IN REGULAR SCRIPT — zhang zhiwan

Stimmung

Themen

1. COPY OF MI FU'S COLOPHON TO OUYANG XUN'S CALLIGRAPHY — Wang Duo
2. CALLIGRAPHY IN RUNNING SCRIPT — wu xizai
3. The Han Capital in Cursive Script\n\nImage 1 — zhang ruitu, 1622
4. CALLIGRAPHY COUPLET IN RUNNING SCRIPT — ni yuanlu

Schlagworte

1. CALLIGRAPHY AFTER ZHONG YOU — Dong Qichang
2. Poem dedicated to Wen Zhenmeng (1574–1636) — Huang Daozhou
3. Eight Poems on Autumn Moods — Wang Duo, 1632
4. Calligraphy of the Character — Yinyuan Longqi, 1671

Tonwert

Hauptfarbe

1. Calligraphy — kiwon, yoo hanji
2. “An Inscription by Zhao Mengfu on the Copies of Wang Xizhi’s Zhanjintie and Hanshitie by Someone in the Tang Dynasty” in Running Regular Script — Ke Jiusi
3. Letter — Tanomura Chokunyū, 801
4. CALLIGRAPHY COUPLET IN SEAL SCRIPT — Wu Dacheng
5. Eggplant — ogata kenzan
6. CALLIGRAPHY IN RUNNING SCRIPT — wu xizai
7. Inscription of the Dreaming of Luofu Mountain Album\n\nLeaf 1 — Chen Gongyin
8. CALLIGRAPHY IN REGULAR SCRIPT — zhang zhiwan
9. The Han Capital in Cursive Script\n\nImage 1 — zhang ruitu, 1622
10. Nom de Plume “Korin” Given to a Pupil — Gikō Tettō, 1300
11. CALLIGRAPHY AFTER ZHONG YOU — Dong Qichang
12. Poem dedicated to Wen Zhenmeng (1574–1636) — Huang Daozhou
13. Album of Calligraphy(楷行篆隸帖_草學張芝) — Wongyo (圓嶠 李匡師)
14. Calligraphy of the Character — Yinyuan Longqi, 1671
15. Chinese Poem to Celebrate a Senior Monk’s Sixtieth Birthday — Duzhan Xingying, 701
16. Suigetsu (Intoxicated by the Moon) — sen no rikyū
17. “The Epitaph of Tang Yan” in Cursive Script (handscroll) — Zhu Zhishan

andere

1. Calligraphy of Anpyeong-daegun — kim, yong-ik
2. Calligraphy of King Gojong — Yi Myeongbok
3. Letter — Konoe Nobumoto