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Zeitraum

  1. Goatherd Charming the Goats with a Flute — Jean-Baptiste-Camille Corot, 1865
  2. Perseus and Andromeda — Tizian Ramsay Peale II, 1556
  3. Saint Sebastian in a Landscape — Jean-Baptiste-Camille Corot, 1853

Bewegung

Stimmung

Themen

  1. Oreste et les Erinyes — Gustave Moreau, 1891
  2. Perseus and Andromeda — Tizian Ramsay Peale II, 1556
  3. Venus präsentierend Waffen an Äneas — Nikolaus Poussin, 1639
  4. Selene und Endymion — Nikolaus Poussin, 1630
  5. Cymon and Iphigenia — Angelica Kauffmann, 1780

Schlagworte

Tonwert

  1. Oreste et les Erinyes — Gustave Moreau, 1891

Hauptfarbe

  1. Perseus and Andromeda — Tizian Ramsay Peale II, 1556
  2. Landscape near Clifton — James Francis Danby, 1823
  3. Landscape with Christ and Two Angels — Da Pier Francesco Mola
  4. Die Vergewaltigung Europas — Peter Paul Rubens, 1630
  5. Saint John the Baptist in the Wilderness — Giuseppe Calletti
  6. St. Jerome in the Wilderness — Lorenzo Lotto, 1506
  7. St. Jerome Meditating in the Desert — Lorenzo Lotto, 1506
  8. Cymon and Iphigenia — Angelica Kauffmann, 1780
  9. Oreste et les Erinyes — Gustave Moreau, 1891
  10. Goatherd Charming the Goats with a Flute — Jean-Baptiste-Camille Corot, 1865
  11. Prokne and Itys. — alcamenes
  12. A Landscape with the Story of Cadmus Killing the Dragon — Francesco Zuccarelli, 1765
  13. Hydria with girls by the fountain — maler der berliner amphora 2154
  14. Saint Sebastian in a Landscape — Jean-Baptiste-Camille Corot, 1853
  15. Selene und Endymion — Nikolaus Poussin, 1630
  16. The Judgment of Paris — daniel seiter, 1699
  17. Venus präsentierend Waffen an Äneas — Nikolaus Poussin, 1639

andere

  1. Crab Fishermen — roelant savery
  2. Zeus and Danae — alecos fassianos
  3. Tobias and the Angel — Giovanni Francesco Grimaldi
  4. Italian Landscape with three Women Making Music, Gerard de Lairesse, c. 1687 — Gérard de Lairesse, 1687
  5. A River with Fishermen — Claude-Joseph Vernet
  6. Attic ointment jar in the shape of an acorn — Meidias Maler
  7. Zeus and Athens — Konstantinos Papamichalopoulos, 2019