Zeitraum

Bewegung

1. People in their homes near Lassance — Sheila Maureen Bisilliat, 1966
2. Adams County, Washington, from the Seattle Arts Commission Photo Survey — ingeborg gerdes, 1980
3. White-Red-Black 1999-2001 (Starachowice) — wojciech prażmowski, 2001
4. Church?St. Martin, Nova Scotia — Minor White, 1972

Stimmung

1. Holland glory tulips Kenkenhof Gardens — Yousuf Karsh, 1956

Themen

1. Sunday Morning, from the project The Most Crowded Block — Aaron Siskind, 1940
2. People in their homes near Lassance — Sheila Maureen Bisilliat, 1966
3. Unidentified young girl in boxing gloves — christina koci hernandez, 1993

Schlagworte

Tonwert

Hauptfarbe

1. People in their homes near Lassance — Sheila Maureen Bisilliat, 1966
2. Adams County, Washington, from the Seattle Arts Commission Photo Survey — ingeborg gerdes, 1980
3. White-Red-Black 1999-2001 (Starachowice) — wojciech prażmowski, 2001
4. Symphonie in Weiß, Nr. 1: Das weiße Mädchen — James Abbott McNeill Whistler
5. Multiple Choice — Cosima Hanebeck, 2007
6. Sunday Morning, from the project The Most Crowded Block — Aaron Siskind, 1940
7. Paul Nadar, Photographie Prise Le 26 Décembre 1888 — Félix Nadar, 1888

andere

1. Close No. 61 Saltmarket — Thomas Annan, 1868
2. Untitled, Harlem, New York — Gordon Parks, 1952
3. Solo, MALDICIDADE 6 — Miguel Rio Branco
4. Arigó is their last hope (#5) — Claudia Andujar, 1967
5. Peace on Screen — Teshi Wambui Muraguri, 2021
6. Noturnas 1 — Miguel Rio Branco, 1991
7. Erwin Wurm: The Body As The House — Erwin Wurm, 2003
8. January 6, 1994, from the series Mother Daughter Posing as Ourselves — elaine o'neil, 2005
9. Saturday Morning at the Hypermarket Semi final of the Miss Lovely Legs Competition, Boksburg — David Goldblatt, 1980
10. Huey Newton seated in wicker chair — Photography Attributed To Blair Stapp
11. Chanel Borg — Craig Walsh; Josh Raymond, 2010
12. August 17, 1996, from the series Mother Daughter Posing as Ourselves — elaine o'neil, 2005
13. Portrait of a young girl — Voúla Papaioannou, 1949
14. Saia Rosa — Miguel Rio Branco, 2002