Zeitraum

1. Head of Bearded Man (also known as Study for 'The Baptism of Christ') — Jean-Baptiste-Camille Corot, 1844
2. Mocatta, commonly known as Pretty Mary, a Native of South Australia — Harry Walker, 1838

Bewegung

1. Mocatta, commonly known as Pretty Mary, a Native of South Australia — Harry Walker, 1838

Stimmung

1. Mocatta, commonly known as Pretty Mary, a Native of South Australia — Harry Walker, 1838

Themen

1. Mocatta, commonly known as Pretty Mary, a Native of South Australia — Harry Walker, 1838
2. Kopf und Schultern eines bärtigen Mannes — Sir William George Gillies, 1923
3. Head Of A Bearded Man — William Henry Hunt
4. Portrait of a Bearded Man with a Ruff — frans hals i, 1625

Schlagworte

Tonwert

Hauptfarbe

1. Abend — Erastus Dow Palmer, 1851
2. The Virgin, the Child and Saint Francis of Assisi — Gregorio Vásquez De Arce Y Ceballos
3. Morning — Erastus Dow Palmer, 1850
4. Head of a Bearded Old Man (style of Paolo Veronese) — Sir Anthony van Dyck
5. Head of a Bearded Man — Tintoretto, 1550
6. Kopf eines Mannes — Diego Rodríguez de Silva y Velázquez, 1616
7. Infant Flora — Erastus Dow Palmer
8. Female Torso — François Auguste René Rodin
9. Head of a bearded Man wearing a Wheel Ruff — Sir Anthony van Dyck
10. head of bearded man — Jean-Baptiste-Camille Corot
11. Man with a Beard — Rembrandt Peale
12. Mocatta, commonly known as Pretty Mary, a Native of South Australia — Harry Walker, 1838
13. Elizabeth Robinson Manship — Paul Manship, 1927
14. Kopf und Schultern eines bärtigen Mannes — Sir William George Gillies, 1923
15. Eine weibliche allegorische Figur — Giambattista Tiepolo, 1740
16. Head Of A Bearded Man — William Henry Hunt
17. Portrait of a Bearded Man with a Ruff — frans hals i, 1625

andere

1. François-Joseph Talma (1763-1826) — Pierre-Jean David D’Angers, 1837
2. Kopf eines barßigen Mannes — Pablo Picasso, 1964
3. Charles Lenormant — Pierre-Jean David D’Angers, 1830
4. Gasparo Luigi Pacifico Spontini — Pierre-Jean David D’Angers, 1830
5. Kopf eines alten Mannes mit Bart — Alexej von Jawlensky, 1912