Zeitraum

Bewegung

1. The adoration of the magi Musée Royal des Beaux - — Peter Paul Rubens, 1624

Stimmung

1. The Washerwoman — Jean-Baptiste-Siméon Chardin, 1733
2. Woman at the Cistern — Jean-Baptiste-Siméon Chardin, 1733
3. A Lady Taking Tea — Jean-Baptiste-Siméon Chardin, 1735

Themen

1. Woman with a Water Pitcher, and a Man by a Bed — Pieter de Hooch, 1667

Schlagworte

Tonwert

1. The Washerwoman — Jean-Baptiste-Siméon Chardin, 1733
2. Woman at the Cistern — Jean-Baptiste-Siméon Chardin, 1733
3. Hl. Petrus und Paulus — Reni Guido (Le Guide)
4. Woman with a Water Pitcher, and a Man by a Bed — Pieter de Hooch, 1667

Hauptfarbe

1. The adoration of the magi Musée Royal des Beaux - — Peter Paul Rubens, 1624
2. A Lady Taking Tea — Jean-Baptiste-Siméon Chardin, 1735
3. Ölskizze für den Hochaltar, St. Bavo, Gent — Peter Paul Rubens
4. untitled (1567) — Jean-Baptiste-Siméon Chardin
5. MÄNNERPORTRAIT — jean françois de troy
6. Buying Grapes — Jacob Ochtervelt, 1669
7. Woman with a Water Pitcher, and a Man by a Bed — Pieter de Hooch, 1667
8. Woman at the Cistern — Jean-Baptiste-Siméon Chardin, 1733
9. Stillleben mit japanischem Druck — Eugène Henri Paul Gauguin, 1888
10. Hl. Petrus und Paulus — Reni Guido (Le Guide)
11. Breakfast, oil on wood, The Hermitage at St. Pet — Gabriel Metsu, 1660
12. The Intruder — Gabriel Metsu, 1661
13. La Négligé — Jean-Baptiste-Siméon Chardin
14. The Washerwoman — Jean-Baptiste-Siméon Chardin, 1733
15. Deborah Kip, Wife of Sir Balthasar Gerbier, and Her Children — Peter Paul Rubens, 1629
16. Doctor's Visit — Jan Havickszoon Steen, 1660
17. Die Unbefleckte Empfängnis (Öl auf Leinwand) — Bartolomé Esteban Murillo
18. Young Woman in the Morning — Frans van Mieris, 1659
19. Lady at Her Toilet — Frans van Mieris, 1660
20. Woman hands over money to her servant — Pieter de Hooch, 1670
21. The Empty Glass — Pieter de Hooch, 1653
22. Untitled print sleeve with woodblock print — Chiura Obata, 1930
23. The Lovesick Maiden — Jan Havickszoon Steen, 1660

andere

1. Popular Print for the Exhibition at the Museum of Modern Art, Bogotá — álvaro barrios, 1977