Zeitraum

Bewegung

Stimmung

1. Senza titolo — Giovanni Chiaramonte
2. “Entrando a la Boca” — Benito Quinquela Martín, 1965

Themen

1. Harp of the Winds — Homer Dodge Martin, 1895
2. Terraces of building 3 and building 4, looking to the south – east — Michel Marot, 1970
3. Cattleya Orchid and Three Brazilian Hummingbirds — Martin Johnson Heade, 1871

Schlagworte

Tonwert

Hauptfarbe

1. VUE GENERALE DU CHATEAU ET DES JARDINS DE MARLY VERS 1724 — martin pierre denis (martin le jeune)
2. “Entrando a la Boca” — Benito Quinquela Martín, 1965
3. Kom El Dikka Amphitheatre — Kenneth Garrett, 2009
4. Cloister - Ancient Seminary — giuseppe cino, 1709
5. Saint Martin und der Bettler — El Greco
6. H'anted — Martin Lewis, 1932
7. Courtyard — Bartolomeo Ammanati, 1558
8. Harp of the Winds — Homer Dodge Martin, 1895
9. Gardens of the royal textile factory — Alfonso Carlos Romo Garza, 2018
10. Portraits des marins — Noël Dolla, 1984
11. Schonogauer martin adoration of the shepherds — Martin Schongauer
12. Kom El Dikka Amphitheatre — Kenneth Garrett, 2009
13. Miracle présumé de saint Martin Miracle de Saint Grégoire le Thaumaturge (ancien titre) Bourdon, Saint Martin ressuscitant un mort (autre titre) Bourdon, Miracle de Saint Martin (autre titre) — Sébastien Bourdon
14. Domestic Happiness — Lilly Martin Spencer, 1849
15. Michael Craig-Martin, Tricycle, 2016 © Michael Craig-Martin — Michael Craig-Martin, 2016
16. Terraces on the roofs of building 4, looking to the south – west — Michel Marot, 1972
17. Terraces of building 3 and building 4, looking to the south – east — Michel Marot, 1970
18. Senza titolo — Giovanni Chiaramonte
19. View of buildings 2, 3, and of the Bosco and the old Villa seen from an appartment building situated on the north – east side — Michel Marot, 1972
20. View of the Bosco from the last floor of the old Villa — Michel Marot, 1972
21. Cattleya Orchid and Three Brazilian Hummingbirds — Martin Johnson Heade, 1871

andere

1. Tous les mots du monde — Noël Dolla, 2013
2. North Moor Community Fire Station — martin woods, 2005