Zeitraum

Bewegung

1. Poems from the “Collection of Poems Ancient and Modern,” known as the “Murasame Fragments" (Murasame-gire) — Fujiwara no Tameyo, 301

Stimmung

1. Calligraphy of the Character — Yinyuan Longqi, 1671

Themen

1. Seven-character Quatrain — Yinyuan Longqi, 1655

Schlagworte

Tonwert

Hauptfarbe

1. Mountain and Calligraphy — Ike Taiga, 801
2. Calligraphy — kiwon, yoo hanji
3. Calligraphy by the Suzhou Masters\n\nFrontispiece 1 — gu yingxiang, 1400
4. Two Kyōka (Playful Thirty-One- Syllable Verse) — Shokusanjin, 1819
5. Poems from the “Collection of Poems Ancient and Modern,” known as the “Murasame Fragments" (Murasame-gire) — Fujiwara no Tameyo, 301
6. Poem (Waka) Written on Shikishi Paper, known as Ogura-shikishi — Fujiwara Teika
7. CALLIGRAPHY COUPLET IN REGULAR SCRIPT — Hua Shikui
8. Waka poems from the Collection of Poems of a Thousand Years, Continued — Kojima Sōshin, 1651
9. Seven-character Quatrain — Yinyuan Longqi, 1655
10. Ink Meditation — Wang Dongling 王冬龄, 2005
11. “Akebonoya” waka poem — Hon'Ami Kōetsu, 601
12. Letter — Shiba Sonojo, 1696
13. Stele for Xia Cheng\n\nImage 1 — 蔡邕, 1100
14. Calligraphy of the Character — Yinyuan Longqi, 1671
15. Calligraphy (Bokuseki) — Ikkyū Sōjun
16. Aufzeichnung eines Haiku-Austauschs auf Kaishi-Schreibpapier — matsuo bashō, 601
17. Calligraphy of the Character — Mugaku Zesshū
18. Five personal letters — ōtagaki rengetsu, 801

andere

1. CALLIGRAPHY IN RUNNING SCRIPT — kang youwei
2. CALLIGRAPHY IN CURSIVE SCRIPT — shen zengzhi
3. Japanese poem on shikishi paper. By Emperor Gomizuno-o — emperor gomizunoo
4. CALLIGRAPHY IN RUNNING SCRIPT — Dong Qichang
5. Calligraphy Couplet in Xingshu — deng erya
6. Fishing Boat on Reed Covered Bank and Calligraphy — Ike Taiga, 801