Zeitraum

Bewegung

1. Folding screen with Calligraphy of the Poem (2) — Wongyo (圓嶠 李匡師)

Stimmung

Themen

1. WHITE LOTUS CALLIGRAPHY — deng fen
2. CALLIGRAPHY COUPLET IN SEAL SCRIPT — Wu Dacheng
3. CALLIGRAPHY IN XINGSHU — liang tongshu
4. CALLIGRAPHY IN RUNNING SCRIPT — Qian Feng
5. CALLIGRAPHY COUPLET IN XINGSHU — zhou zuoren
6. CALLIGRAPHY IN RUNNING SCRIPT — zhang yuzhao
7. The Han Capital in Cursive Script\n\nImage 1 — zhang ruitu, 1622
8. CALLIGRAPHY IN RUNNING SCRIPT — Li Kuchan

Schlagworte

1. CALLIGRAPHY COUPLET IN XINGSHU — zhou zuoren
2. Thousand Characters Classic with Big Character(2) — Seokbong
3. CALLIGRAPHY IN XINGSHU — liang tongshu
4. CALLIGRAPHY IN RUNNING SCRIPT — Qian Feng
5. CALLIGRAPHY COUPLET IN RUNNING SCRIPT — Tang Yifen
6. CALLIGRAPHY IN RUNNING SCRIPT — zhang yuzhao
7. WHITE LOTUS CALLIGRAPHY — deng fen
8. Calligraphy Couplet in Xingshu — weng fanggang
9. Album of Calligraphy(楷行篆隸帖_別離) — Wongyo (圓嶠 李匡師)

Tonwert

Hauptfarbe

1. Record of the Altar of the Goddess Magu (by Yan Zhenqing)\n\nImage 1 — Gustav Mahler, 1200
2. CALLIGRAPHY COUPLET IN SEAL SCRIPT — Wu Dacheng
3. Album of Calligraphy(楷行篆隸帖_別離) — Wongyo (圓嶠 李匡師)
4. Folding screen with Calligraphy of the Poem (2) — Wongyo (圓嶠 李匡師)
5. CALLIGRAPHY COUPLET IN CLERICAL SCRIPT — Yang Xian
6. Poetic Maxim — Zheng Yuan, 1691
7. Thousand Characters Classic with Big Character(2) — Seokbong
8. CALLIGRAPHY COUPLET IN RUNNING SCRIPT — Tang Yifen

andere

1. Album of Calligraphy(楷行篆隸帖_草學張芝) — Wongyo (圓嶠 李匡師)
2. Folding screen with Calligraphy(東宮玉帳山銘) 1 — Samman Lee, 1830
3. Lidai tuibei quantu — Jiao Bingzhen, 1726
4. CALLIGRAPHY COUPLET IN CLERICAL SCRIPT — qian yong
5. Poem on reclusion — Scha Sheng, 701
6. Chinese Poem to Celebrate a Senior Monk’s Sixtieth Birthday — Duzhan Xingying, 701
7. Calligraphy of the Character — Yinyuan Longqi, 1671
8. An Account of the Final Day of Chinese New Year’s Celebrations, from the Wise Counsel for Social Intercourse — Kojima Sōshin, 1657