Zeitraum

1. Großes Wasser, Nr. 4 — Zhu Wei
2. Ink and Wash Research Lectures series — Zhu Wei
3. Festival, Nr. 10 — Zhu Wei
4. Self Portrait with Red Eyes — Yong Sun Suh, 2009
5. Die Geschichte von Peking, Nr. 3 — Zhu Wei
6. Comrade Captain, No.3 — Zhu Wei
7. The Square, No.9 — Zhu Wei
8. Süßes Leben, Nr. 21 — Zhu Wei
9. China Tagebuch, Nr. 54 — Zhu Wei
10. Sweet Life, No.38 — Zhu Wei
11. Utopie, Nr. 46 — Zhu Wei
12. Curtain, No.8 — Zhu Wei

Bewegung

1. China Tagebuch, Nr. 54 — Zhu Wei

Stimmung

1. Ink and Wash Research Lectures series — Zhu Wei
2. Self Portrait with Red Eyes — Yong Sun Suh, 2009

Themen

1. Sweet Life, No.38 — Zhu Wei

Schlagworte

Tonwert

1. The Square, No.9 — Zhu Wei

Hauptfarbe

1. Utopie, Nr. 46 — Zhu Wei
2. Mutter und Tochter gegen ein rotes Hintergrund — Jean-Édouard Vuillard, 1891
3. Exhibition Scene — Zhu Wei
4. Mural of Orozco — David Alfaro Siqueiros
5. Ink and Wash Research Lectures series — Zhu Wei
6. Ink and Wash Research Lectures series — Zhu Wei
7. Portrait of hugh gaitskill as a famous monster of filmland — Richard Hamilton
8. Broadway and 7th Avenue Local — Jock Mcfadyen, 1989
9. Self Portrait with Red Eyes — Yong Sun Suh, 2009
10. Süßes Leben, Nr. 21 — Zhu Wei
11. Chinese Poem to Celebrate a Senior Monk’s Sixtieth Birthday — Duzhan Xingying, 701
12. China Tagebuch, Nr. 54 — Zhu Wei
13. Porträt von Hugh Gaitskell als berühmtes Filmmonster — Richard Hamilton Park, 1964
14. Großes Wasser, Nr. 4 — Zhu Wei
15. Hills Beyond A River — Zhu Wei
16. Curtain, No.8 — Zhu Wei
17. Weights and Measures (The Reversals) — Bradley Mccallum, 2015
18. Sweet Life, No.38 — Zhu Wei
19. Child In Red — Tivadar Csontváry Kosztka
20. Die Geschichte von Peking, Nr. 3 — Zhu Wei

andere

1. Untitled (675) — Marlene Dumas