Experience August Macke’s ‘Ballet Russes I,’ a vibrant Expressionist oil painting capturing the drama of Diaghilev's Ballets Russes. Bold colors & dynamic composition – a unique art piece!
Explore the vibrant Expressionist paintings of August Macke (1887-1914). Influenced by Fauvism & Orphism, his works capture modern life with bold color and draftsmanship. A key figure in Der Blaue Reiter.
Explore Kunsthalle Bremen: Discover European masterpieces from Dürer to Monet! Immerse yourself in art history and modern media installations at Germany's oldest society-owned museum.
Since his days as a student in Düsseldorf, August Macke harbored a special love for dance. In Cologne in 1912, he saw the ballet Carnaval, set to music by Robert Schumann. It was performed by the famous Ballets Russes of Sergei Diaghilev, with Vaslav Nijinsky in the leading role as Harlequin. Macke attended the performance several times, creating no less than four paintings, a sculpture, and around forty drawings on this subject, four of which are in the possession of the Kunsthalle Bremen’s Department of Prints and Drawings. In Ballet Russes I, he allows the viewer to relive the dramatic climax of the piece: the dashing Harlequin’s abduction of the coquettish Columbine. The third figure, Pierrot, who has been abandoned, raises his arms plaintively—a gesture echoed by the caryatid below the parapet of the loge. The woman with the hat at the right serves as a compositional link between the darkened audience and the brilliantly lit stage. In its formal reduction and strong colors, Ballet Russes I bears witness to the strong influence the Fauves exerted on Macke.
