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Saint Charles Borromeo (statuette)

Discover Johann Joachim Kändler, a pivotal Baroque sculptor & Meissen porcelain modeller (1706-1775). Known for elegant figures, mythological scenes & refined detail, he shaped European porcelain art.

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Collectible Description

In 1737, Augustus III of Poland (1734–1763) [also known as Augustus II, Elector of Saxony (1733–1763)] placed a special order with Johann Joachim Kändler (1706–1775), the chief model-maker for the Meissen Porcelain Factory. He asked him to make altar paraphernalia for his mother-in-law, Empress Amalia Wilhelmina (1673–1742), widow of Emperor Joseph I (1705–1711). The order was for six candlesticks, a crucifix, a chalice, altar cruets, a handwashing set, a mass bell, an aspersorium, an aspergillum and twelve apostle statues. The precursors for Kändler’s apostle figures were the statues in the basilica of San Giovanni in Laterano in Rome, made between 1703 and 1718 by Camillo Rusconi (1658–1728), Francesco Maratta (1625–1713), Giuseppe Mazzuoli (1644–1725), Jean-Baptiste Theodon (1645–1713), Pierre-Etienne Monnot (1657–1733), Pierre Le Gros (1666–1717) and Angelo de’ Rossi (1671–1715).The porcelain model of St John the Evangelist was based on Camillo Rusconi’s statue, and the figure wearing alba and tonsure, and holding a stole in his hand, may be St Charles Borromeo or St John of Nepomuk. The apostles, forming a coherent Baroque composition, are presented with strikingly vehement, passionate movements. Similar early Baroque porcelain statues from Kändler’s workshop are held in the Historisches Museum in Bern, Württembergisches Landesmuseum in Stuttgart, the Meissen porcelain collection, and in Schloss Lustheim (Schleissheim, Bavaria).

Artist Biography

Johann Joachim Kändler: The Architect of European Porcelain

Born in Fischbach, Germany, in 1706, Johann Joachim Kändler’s life was inextricably linked to the burgeoning world of Meissen porcelain. His early exposure to classical art and mythology—a legacy from his pastor father—would profoundly shape his artistic vision. He began his apprenticeship under Johann Benjamin Thomae, a prominent Dresden sculptor, absorbing not only technical skills but also a deep appreciation for Greco-Roman aesthetics. This foundation proved crucial as he would later become the most influential modeller of Meissen porcelain, arguably shaping the entire landscape of European ceramics during the 18th century.

Kändler’s journey to Meissen began in 1731, where he joined the prestigious factory and quickly rose through the ranks. Initially assisting Johann Jacob Kirchner, he assumed leadership in 1733, a position he held until his death in 1775. This remarkable forty-year tenure wasn’t merely a job; it was a period of intense creative exploration and systematic refinement. He didn't just sculpt; he engineered an entire aesthetic for the factory, establishing standards that would define Meissen’s reputation for elegance and detail for decades to come.

The Sculptor’s Palette: Technique and Influences

Kändler’s work is characterized by a remarkable blend of observation, technical mastery, and artistic sensibility. He initially drew inspiration from the natural world, creating animal groups—jays with squirrels, woodpeckers with cockchafers—that were celebrated for their accuracy and a subtle, poignant beauty. These early pieces demonstrated a keen eye for detail and a sensitivity to texture and form, qualities that would remain central to his style.

However, Kändler’s artistic trajectory shifted dramatically as he became increasingly involved in court life under Frederick the Great of Prussia. This engagement led him to explore new themes—particularly the world of commedia dell'arte—resulting in a series of charming and evocative figurines that captured the spirit of theatrical performance. The “Monkey Band,” created in 1753, stands as a testament to this shift, embodying Enlightenment ideals of freedom and reason through its playful depiction of a musical ensemble.

Crucially, Kändler’s influence extended beyond mere aesthetic choices. He meticulously oversaw the entire process of porcelain production, from initial modelling to mould creation and quality control. His appointment as arcanist—a role encompassing technical expertise and secret knowledge—demonstrates his profound understanding of the materials and processes involved in creating this delicate art form. The Swan Service for Heinrich von Brühl, a lavish table setting featuring exquisitely detailed figures, exemplifies Kändler’s mastery of both design and production.

A Legacy Forged in Porcelain

Kändler's impact on European porcelain is immeasurable. He didn’t simply produce beautiful objects; he established a system—a style—that dominated the industry for over half a century. His early sculptures, with their emphasis on naturalism and emotional depth, set a new standard of excellence. The shift towards theatrical figures reflected a broader cultural trend, demonstrating Kändler's ability to adapt his artistic vision to changing tastes.

His work is found in the world’s most prestigious museums, including the Metropolitan Museum of Art in New York and the British Museum in London. The enduring popularity of Meissen porcelain—and its continued association with Kändler’s name—testifies to his lasting legacy as the architect of European porcelain art. He remains a pivotal figure in the history of sculpture and ceramics, a testament to the power of observation, skill, and artistic vision.

Further Exploration

For more information, you can explore these resources:

johann joachim kändler

johann joachim kändler

1706 - 1775 , Germany

Quick Facts

  • Artistic Movement Or Style: Baroque, Meissen porcelain
  • Artists Or Movements Influenced By This Artist: ['Rococo']
  • Artists Who Influenced This Artist: ['Johann Benjamin Thomae']
  • Date Of Birth: June 15, 1706
  • Date Of Death: May 18, 1775
  • Full Name: Johann Joachim Kändler
  • Nationality: German
  • Notable Artworks:
    • Dallying couple (Scaramouche)
    • Saint Charles Borromeo
    • Salt cellar (Turks)
  • Place Of Birth: Fischbach, Germany