Preview
Send
Share
Details
Download
Similars
X-Ray
DiaporamaMarjory Porter (3)
Acrylic On Canvas- WallArt
1935
91.0 x 77.0 cm
Royal Scottish Academy of Art - Architecture
Read More
Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists. (
Buy Print Buy Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the painting with additional hand-painted elements. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (17 August). No compromise on quality.
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
60-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
Glass option is only available in size under 110 CM
Marjory Porter (3)
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
Artwork Description
A Portrait Steeped in Scottish Landscape and Impressionistic Vision
“Marjory Porter (3)” by Sir William George Gillies is more than just a depiction of a woman; it’s an embodiment of the Scottish Highlands at the cusp of the 1930s, rendered with a masterful blend of Cézanne’s structural clarity and Paul Klee’s playful exploration of colour. Painted in 1935, this artwork captures a moment frozen in time—a woman seated thoughtfully amidst a tranquil interior setting dominated by muted greens and browns.
Gillies' artistic development was profoundly shaped by his formative years studying under André Lhote in Paris and subsequent travels to Italy. These experiences instilled within him the principles of Cubism, which he initially embraced as evidenced in works like “Two Pots, Saucer and Fruit,” showcasing a deliberate fragmentation of form reminiscent of Picasso and Braque’s pioneering efforts. However, Gillies swiftly moved beyond mere stylistic imitation, recognizing the transformative potential of influences from artists like Klee.
- Style: Impressionistic – Gillies skillfully captures fleeting impressions of light and atmosphere, prioritizing tonal harmony over precise representation.
- Technique: Oil on Canvas – The painting utilizes oil paints applied in layers to achieve depth and luminosity, characteristic of the period’s artistic conventions. Gillies favored a glazing technique, allowing for subtle shifts in colour and enhancing the overall textural quality of the artwork.
The composition itself speaks volumes about Gillies' aesthetic sensibilities. The woman—likely Marjory Porter—is positioned centrally against a backdrop of a comfortable armchair and sofa, creating a sense of intimacy and contemplation. Her gaze directs towards the viewer, inviting engagement and prompting reflection on themes of solitude and observation. The inclusion of a scarlet hat adorned with feathers adds a vibrant focal point, juxtaposed against the subdued palette of the room—a deliberate choice that underscores Gillies’ fascination with colour as a vehicle for emotional expression.
Symbolically, “Marjory Porter (3)” transcends its immediate subject matter. The Highland landscape subtly permeates the canvas, hinting at Scotland's enduring connection to nature and artistic inspiration. Klee’s influence is palpable in Gillies’ use of geometric shapes and simplified forms—a stylistic hallmark that reflects a broader humanist concern for capturing the essence of human experience. Ultimately, this artwork resonates with an emotional depth rooted in quiet contemplation and a celebration of beauty found within simplicity.
This piece represents a significant contribution to Scottish art history and continues to inspire collectors and interior designers seeking pieces that embody both artistic innovation and serene elegance. Its enduring appeal lies in its ability to transport the viewer back to a specific moment in time—a testament to Gillies’ skill as an artist and his profound understanding of the human condition.
Related Artworks
![Farm Girl [la Fille De Ferme] — Chaim Soutine, Expressionist Landscape](/media/artworks/images/thumbnails/f8/69/f869bccd11c34cf8b2493dffcd1d2528.jpg)
Artist Biography
Sir William George Gillies: A Life in Scottish Art
Early Life and Education
- Born: Haddington, East Lothian, United Kingdom, 1898.
- Gillies initially enrolled at the Edinburgh College of Art but his studies were interrupted by service in World War I with the Royal Engineers.
- Following the war, he returned to complete his education at the Edinburgh College of Art, graduating and subsequently becoming a dedicated teacher there for over 40 years.
Artistic Development and Influences
- Gillies’ artistic journey began with an exploration of Cubism after studying under André Lhote in Paris (1923) and traveling to Italy (1924).
- Early works, like “Two Pots, Saucer and Fruit” (1933), demonstrate this influence, showing a Cézanne-inspired arrangement with Braque and Picasso’s understated color palettes.
- A pivotal moment came in 1934 when he encountered the work of Paul Klee, inspiring him to adopt a more imaginative use of colour and childlike qualities in his compositions.
- He gradually moved away from strict Cubism, developing a distinctive style rooted in Scottish landscape and still life traditions.
The 1922 Group and Collaborative Spirit
- In 1922, Gillies co-founded the “1922 Group” alongside fellow artists including William Crozier, William Geissler, and William MacTaggart.
- This exhibition society provided a platform for emerging Scottish artists to showcase their work at the New Gallery in Edinburgh for a decade.
- The group fostered a sense of community and innovation within the Scottish art scene.
Themes and Subject Matter
- Landscapes: Gillies is renowned for his depictions of the Lothian, Fife, and Border regions of Scotland. He captured the essence of these landscapes with a sensitive eye.
- Still Lifes: Still life compositions were another significant focus, often featuring ceramics created by his younger sister, Emma Smith Gillies, whose premature death in 1936 deeply affected him.
- Portraiture: While he experimented with portraiture early in his career, landscapes and still lifes became his primary subjects.
Major Achievements and Recognition
- Gillies served as Principal of the Edinburgh College of Art from 1959 until his retirement in 1966.
- His prolific output and dedication to teaching had a profound influence on generations of Scottish painters.
- He was elected a Royal Academician (RA), signifying significant recognition within the art world.
Historical Significance and Legacy
- Sir William George Gillies is considered one of Scotland’s most important 20th-century painters.
- His work bridges the gap between early modernism and a distinctly Scottish artistic identity.
- Legacy: His influence extends beyond his paintings, shaping the direction of Scottish art through his teaching and mentorship.
- He died in 1973, leaving behind a rich body of work that continues to be celebrated for its beauty, sensitivity, and enduring relevance.
sir william george gillies
1898 - 1973 , United Kingdom
Quick Facts
- Birth Date: 1898
- Birth Place: Haddington, United Kingdom
- Death Date: 1973
- Influenced By:
- André Lhote
- Cézanne
- Braque
- Picasso
- Paul Klee
- Movement:
- Cubism
- Scottish Colourists
- Name: Sir William George Gillies
- Nationality: Scottish
- Notable Works:
- Young Boy with a Teapot
- Mediterranean Landscape with Overcast Sky
- Still Life – Yellow Jug and Striped Cloth
- The Origin of the Milky Way (after Jacopo Tintoretto)
Related Articles
Cézanne's Masterpieces: 25 Iconic Artworks to Transform Your Space
Journey through 25 iconic artworks by Paul Cézanne – a master of Impressionism and Post-Impressionism. Explore his landscapes, still lifes, and the stories behind these timeless masterpieces. Discover museum-quality reproductions & curated decor at ArtsDot.com.
Paul Klee's Masterpieces: Explore 25 Iconic Paintings & Prints | ArtsDot
Journey through Paul Klee's 25 most iconic paintings & prints. Explore his abstract style, Bauhaus influence, and vibrant color palettes. Find museum-quality art reproductions & decor ideas at ArtsDot.com. Discover all masterpieces online.
Paul Klee: A Poetics of Form and Color – Exploring the Inner Landscape of a Modern Master
Explore the captivating world of Paul Klee! Discover his innovative art, Bauhaus influence, & unique symbolic language. Expert analysis & high-quality reproductions at ArtsDot.
Sir William George Gillies: A Scottish Colourist's Journey Through Landscape & Abstraction
Explore the captivating world of Sir William George Gillies, a leading Scottish Colourist. Discover his journey from Cubism to iconic landscapes & still lifes. Expert insights for collectors and art enthusiasts.
George Paul Chalmers: Rediscovering the Angus Rembrandt & Scottish Colourist Roots
Explore the captivating world of George Paul Chalmers (1833-1878), a pivotal Scottish painter. Discover his landscapes, portraits & connection to the Aesthetic Movement and Colourists. Learn about this 'Angus Rembrandt's' legacy with ArtsDot.
