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The Resurrection

Lorenzo Di Pietro (1410 – 1480)

Lorenzo di Pietro (Vecchietta), maestro sienese del Quattrocento, fusionó innovación artística con tradición escultórica y arquitectónica, destacando por colores ricos y detalles complejos en obras como "El Resurrección" y frescos de la Cappella Maggiore de San Francesco.

The Frick Collection (Nueva York, Estados Unidos de América)

Descubre la elegancia del Gilded Age en The Frick Collection, Nueva York. Admira obras maestras de Bellini, Rembrandt y más en una mansión única. ¡Una experiencia artística inolvidable!

Small bronzes almost always present problems of attribution. A bronze is rarely signed, dated, or otherwise documented—for example by a provenance leading directly back to an early inventory, by accounts of payments identifying it, or by contemporary letters describing the work. Most attributions rest on tradition, on close parallels with other, authenticated, sculpture by the artist, or simply on the eye and experience of the connoisseur attaching a name to the piece. Only two works in The Frick Collection belong to the unusual genus of bronzes that are both signed and dated: the Barbet Angel is one, the Vecchietta Resurrection the other. The original function of the Resurrection relief is unknown, although it may have served as the door to a tabernacle. Whatever its destination, the artist clearly took pride in his achievement, for he inscribed his name and the date prominently on Christ

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