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Radiografía
Presentación de diapositivasThe Parrot “King” and Bird “Courtiers” on Plum and Rose Branches
Maruyama School
1795
145.0 x 55.0 cm
Nagasawa Rosetsu (1754 – 1799)
Descubre a Nagasawa Rosetsu (1754-1799), maestro de la Escuela Maruyama! Explora su fusión única de tradición japonesa y realismo occidental, con paisajes evocadores y arte animal. #ArteJaponés #PeriodoEdo
The remarkable independence and innovation that is evident throughout Rosetsu’s oeuvre is reflected in this masterful painting of birds, a subject at which he excelled. Thirty-three different birds, all native to Japan, have roosted in the branches of a flowering plum tree, while the red parrot, perched high up and alone above the hubbub of the conventional locals, observes them with regal detachment. Parrots were not native to Japan, but were imported from China through Nagasaki, the only port allowed to receive regular trade during the Edo period. They were bred and displayed as rare and exotic objects.The painting is pressed with two square intaglio seals, “Chō Gyo” and “Hyōkei”; it is signed “Rosetsu sha” (Painted by Rosetsu). The form of the signature suggests that this is a work of the 1790s.
Sobre esta obra
- Título: The Parrot “King” and Bird “Courtiers” on Plum and Rose Branches
- Artista: Nagasawa Rosetsu
- Año: 1795
- Dimensiones originales: 145.0 x 55.0 cm
- Formato: Tall
- Estado de derechos de autor: Dominio público
- Movimiento: Maruyama School
- Paleta de colores: Neutrals
- Palabras clave: “chinese parrot art” , “plum blossom painting” , “bird collectors”
- Intensidad del color: Vivid
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