periodo

movimiento

vibra

temas

1. Knaresborough castle, yorkshire — john varley i (the older)
2. Kilgerran castle — richard wilson
3. Dunluce Castle, County Of Antrim — Augusto Earle
4. Jerusalem, A View Of The City Walls With The Gate Of Jaffa And The Tower Of David — Adrien Dauzats
5. A Castle In A River Landscape — john varley i (the older)

palabras clave

matiz

color principal

1. Campagna Di Roma, Cervara — Edward Lear
2. Kilgerran castle — richard wilson
3. A Castle In A River Landscape — john varley i (the older)
4. Jerusalem, A View Of The City Walls With The Gate Of Jaffa And The Tower Of David — Adrien Dauzats
5. Saint Michael's Mount, Cornwall — John Warwick Smith
6. Building. Secession Building in Vienna, Austria — Joseph Maria Olbrich
7. A derbyshire landscape — Peter de Wint
8. Building. art nouveau building at 18 Pikk, Tallinn, Estonia — Jacques Gustav-Adolf Rosenbaum-Ehrenbush
9. Dark Blue Turban (also known as Helene with Dark Blue Turban) — Alexej von Jawlensky, 1910
10. Plymouth, Mount Batten and the Hoe — richard brydges beechey, 1866
11. El Llamado de la Oscuridad — Nicolás Roerich, 1924
12. Knaresborough castle, yorkshire — john varley i (the older)
13. East garden on the north – east side of building 4 and on the south – east side of building 3 — Michel Marot, 1972
14. Discovery and Building — carol m highsmith, 2010
15. Dunluce Castle, County Of Antrim — Augusto Earle
16. Louveira Building — João Batista Vilanova Artigas
17. El Edificio de la Secesión en Viena, Austria — Joseph Maria Olbrich
18. Light Conquers Darkness — Nicolás Roerich, 1933
19. Exterior Old Merensky Building — Universiteit Van Pretoria Museums, 2016

otros

1. Orbe Canton Vaud looking towards Switzerland — George Clarkson Stanfield
2. Vue du Golfe de Valinco près de Sartène Corse — louis auguste lapito
3. Monumental building with decorative panels, side and sketch of front of a building with towers — Antonio Sant'Elia, 1912
4. Paisaje con un castillo — Rembrandt van Rijn, 1632
5. Building of the Secession, Sketch for the second draft — Joseph Maria Olbrich, 1897