periodo

movimiento

1. The Triumph of Divine Providence — Pietro da Cortona, 1633
2. Danaë — Antonio Allegri da Correggio, 1530
3. Deeds of Hercules and his Apotheosis — Andrea Pozzo, 1704
4. Apotheosis of Marcantonio Colonna — giuseppe bartolomeo chiari, 1700
5. Assumption of the Virgin — juan de miranda, 1657
6. Asunción de la Virgen — Giovanni Battista Piazzetta, 1735

vibra

temas

1. The Assumption of the Virgin — Defendente Ferrari, 1500
2. Assumption of the Virgin — nanni d antonio di banco, 1414

palabras clave

matiz

color principal

1. Assumption of the Virgin — juan de miranda, 1657
2. Asunción de la Virgen — Giovanni Battista Piazzetta, 1735
3. El Juicio Final (detalle) — Giorgio Vasari, 1572
4. Deeds of Hercules and his Apotheosis — Andrea Pozzo, 1704
5. Cuatro Santos (de izquierda a derecha: San Pedro, Santa Marta, Santa María Magdalena, San Leonardo) — Antonio Allegri da Correggio, 1517
6. Portrait of a Young Man — Antonio Allegri da Correggio
7. Apotheosis of Marcantonio Colonna — giuseppe bartolomeo chiari, 1700
8. Virgin and Child with an Angel (detail) — Antonio Allegri da Correggio
9. Assumption of the Virgin — Antonio Allegri da Correggio
10. The Assumption of the Virgin — Antonio Allegri da Correggio, 1530
11. The Assumption of the Virgin (detail) — Antonio Allegri da Correggio, 1530
12. Danaë — Antonio Allegri da Correggio, 1530
13. La Virgen y el Niño con un Ángel (Madonna del Latte) — Antonio Allegri da Correggio, 1522
14. Passing away of St John — Antonio Allegri da Correggio
15. Madonna and Child in Glory — Antonio Allegri da Correggio, 1510
16. Allegory of the Jesuits' Missionary Work — Andrea Pozzo, 1691
17. The Assumption of the Virgin — Defendente Ferrari, 1500
18. The Triumph of Divine Providence — Pietro da Cortona, 1633
19. Dome of the staircase — Luca Giordano

otros

1. Ceiling painting — Pietro da Cortona, 1642
2. Ceiling of the Sala dell'Olimpo — Paolo Veronese, 1560
3. Virgin and Child with an Angel (detail) — Antonio Allegri da Correggio
4. The Trinity in Glory — Pietro da Cortona, 1648