periodo

movimiento

vibra

1. 1934 (painted relief) — Ben Nicholson, 1934
2. 1934 (relief) — Ben Nicholson, 1934
3. 1944 (three mugs) — Ben Nicholson, 1944
4. August 1956 (Val d'Orcia) — Ben Nicholson, 1956
5. Sept 8-54 (Torcello) — Ben Nicholson, 1954
6. May 1927 (still life with knife and lemon) — Ben Nicholson, 1927
7. 1932–33 (musical instruments) — Ben Nicholson, 1933

temas

1. 11 November 1947 (Mousehole) — Ben Nicholson, 1947
2. 1944 (three mugs) — Ben Nicholson, 1944
3. 1922 (Cold Fell) — Ben Nicholson, 1922
4. Sept 8-54 (Torcello) — Ben Nicholson, 1954
5. 1934 (relief) — Ben Nicholson, 1934

palabras clave

1. 1944 (three mugs) — Ben Nicholson, 1944
2. August 1956 (Val d'Orcia) — Ben Nicholson, 1956
3. Sept 8-54 (Torcello) — Ben Nicholson, 1954

tono

color principal

1. 1932–33 (musical instruments) — Ben Nicholson, 1933
2. May 1927 (still life with knife and lemon) — Ben Nicholson, 1927
3. Autumn Road — John Kyffin Williams, 1960
4. August 1956 (Val d'Orcia) — Ben Nicholson, 1956
5. 1940 (Cornish Landscape) — Ben Nicholson, 1940
6. 1939–41 (winter landscape Halsetown) — Ben Nicholson, 1941
7. 1927 (Winifred and Jake) — Ben Nicholson, 1928
8. 1934 (painted relief) — Ben Nicholson, 1934
9. Inscape Morning of the Seventh (Lavenham) — Roy Turner Durrant
10. The Yellow Runner — Peter Lanyon, 1946
11. Winter Sea — Paul Nash, 1937
12. The Red Hills — john mcnairn, 1950
13. The Ruins — James Cumming, 1948
14. c.1943–1947 (composition abstract squares) — Ben Nicholson, 1947
15. 1944 (three mugs) — Ben Nicholson, 1944
16. 1946 (abstracción azul celeste) — Ben Nicholson, 1946
17. 1934 (relief) — Ben Nicholson, 1934
18. Cold Late Spring — mary lord
19. The Rye Marshes, East Sussex — Paul Nash, 1932

otros

1. 1969 (Holkham Sands No. 1) — Ben Nicholson, 1969
2. June 1937 (painting) — Ben Nicholson, 1937