periodo

1. Portrait of Dalida — Chant Avedissian

movimiento

1. Portrait of Dalida — Chant Avedissian

vibra

1. Mujer Pelo Rojo, Boca Grande, Pie Grande — Willem de Kooning, 1965
2. Woman in Blue Dress in Red Chair — William H. Johnson, 1940
3. Bust of Woman with Blue Hair and Green and Red Scarf — William H. Johnson, 1940
4. Crítico de arte — Roy Lichtenstein, 1996

temas

1. Seated Woman with Red Hair and Blue Dress — William H. Johnson, 1940
2. Seated Woman with Red Hair and Black Dress — William H. Johnson, 1940
3. Woman in Blue Dress with White Collar in Red Chair — William H. Johnson, 1940
4. Woman in Blue Dress in Red Chair — William H. Johnson, 1940
5. Mujer Pelo Rojo, Boca Grande, Pie Grande — Willem de Kooning, 1965
6. Mujer Sentada con Vestido Azul — Pierre-Auguste Renoir, 1915
7. Jacqueline en vestido turco — Pablo Picasso

palabras clave

matiz

color principal

1. Seated Woman with Red Hair and Blue Dress — William H. Johnson, 1940
2. La prisonnière (1917) — Marie Laurencin
3. Mujer con vestido rayas rojo — Paul Cézanne, 1898
4. Mujer Sentada con Vestido Azul — Pierre-Auguste Renoir, 1915
5. Seated Woman with Red Hair and Black Dress — William H. Johnson, 1940
6. January 3 (1993) — Alex Katz
7. Red Coat — Alex Katz, 1983
8. Jacqueline en vestido turco — Pablo Picasso
9. Self Portrait — Lisa Thomas-Laury, 1984
10. Crouching woman red hair — comte henri marie raymond de toulouse-lautrec-monfa
11. Mujer Pelo Rojo, Boca Grande, Pie Grande — Willem de Kooning, 1965
12. Retrato de una Mujer — Egon Schiele, 1912
13. A Carioca — Emiliano Augusto Cavalcanti de Albuquerque Melo, 1957
14. Mara-cle — David Michael Hinnebusch, 2017
15. Untitled — Ghadah Alkandari, 2012
16. Portrait of Dalida — Chant Avedissian
17. Woman in Blue Dress with White Collar in Red Chair — William H. Johnson, 1940
18. January — Alex Katz

otros

1. Mujer en azul — Pablo Picasso, 1901
2. Mujer con Vestido Azul, De Pie en el Jardín de Saint-Cloud — Pierre-Auguste Renoir, 1899
3. Mujer Roja (también conocida como Chica con Cabello Negro) — Franz Marc, 1912