periodo

movimiento

vibra

temas

palabras clave

matiz

1. Little Hope — Paul Klee, 1938

color principal

1. [Relief Carving, Mayan Ruins, Chichen Itza] — Octavio Medellín, 1938
2. Little Hope — Paul Klee, 1938
3. The Prisons — Giovanni Battista Piranesi
4. Blank Dots — shūsaku arakawa, 1982
5. (Untitled)(tracing of drawing for mural) — Marguerite Zorach
6. Untitled sketch — Altán Gürman, 1965
7. [Relief Carving, Mayan Ruins, Chichen Itza] — Octavio Medellín, 1938
8. Hoja de Estudios — Jackson Pollock, 1941
9. The Roman antiquities, t. 1, Plate XLV. Plan of upper floor of the Caesars Palace de `d` home `s believed Augustus (Drawing and inc. By Francesco Piranesi) — Giovanni Battista Piranesi, 1756
10. Celestial — Charles Seliger, 1956
11. Popular Print for the Exhibition at the Museum of Modern Art, Bogotá — álvaro barrios, 1977
12. Title Unknown — Marwan, 1997
13. The pleasures of rest — Nikos Hadjikyriakos-Ghika, 1946
14. The Roman antiquities, t. 4, Plate XXIV. Elevation of the bridge and its foundations Cestius. — Giovanni Battista Piranesi
15. The Roman antiquities, t. 2, Plate XXI. Urn of marble found in the burial chamber above (figures carved from Barbault). — Giovanni Battista Piranesi, 1756
16. Pequeños Mundos VI — Wassily Wassilyevich Kandinsky, 1922
17. Noah y el Arco — Marc Chagall, 1963

otros

1. Untitled print sleeve with woodblock print — Chiura Obata, 1930
2. The Roman antiquities, t. 1, Plate XXXV — Giovanni Battista Piranesi, 1756
3. The Roman antiquities, t. 2, Plate XII. Prospectus and Profile of a tomb of the previous rooms — Giovanni Battista Piranesi, 1756
4. The Roman antiquities, t. 3, Plate XXVI. View in perspective of a previous goal of the burial chamber (Drawing by Antonio Buonamici, inc. By Girolamo Rossi). — Giovanni Battista Piranesi
5. The Roman antiquities, t. 4, Plate XII. View of an entrance to the upper room into the boulder burial d`Elio Adriano. — Giovanni Battista Piranesi
6. Profile section of the monument — Giovanni Battista Piranesi
7. The Roman antiquities, t. 1, Plate XXIII. Aventine Hill. — Giovanni Battista Piranesi, 1756