periodo

movimiento

vibra

temas

1. The Roman antiquities, t. 1, Plate XXIX. Trajan`s Market. — Giovanni Battista Piranesi, 1756
2. The Roman antiquities, t. 4, Plate XII. View of an entrance to the upper room into the boulder burial d`Elio Adriano. — Giovanni Battista Piranesi
3. The Roman antiquities, t. 4, Plate XXXII. Following the above table. — Giovanni Battista Piranesi

palabras clave

1. The Roman antiquities, t. 1, Plate X. Aurelian Walls and Amphitheatrum Castrense. — Giovanni Battista Piranesi, 1756
2. The Roman antiquities, t. 1, Plate XIII — Giovanni Battista Piranesi, 1756
3. The Roman antiquities, t. 4, Plate XII. View of an entrance to the upper room into the boulder burial d`Elio Adriano. — Giovanni Battista Piranesi
4. The Roman antiquities, t. 1, Plate XXIII. Aventine Hill. — Giovanni Battista Piranesi, 1756

matiz

color principal

1. The Roman antiquities, t. 1, Plate XXXV — Giovanni Battista Piranesi, 1756
2. The Roman antiquities, t. 2, Plate XXXIX. Plan and section of the three rooms of the family of Augustus believed burial. — Giovanni Battista Piranesi, 1756
3. Old town — Konstantin Fyodorovich Bogaevsky, 1922
4. The Roman antiquities, t. 1, Plate XI. Urban Walls. — Giovanni Battista Piranesi, 1756
5. The Roman antiquities, t. 1, Plate XXIX. Trajan`s Market. — Giovanni Battista Piranesi, 1756
6. The Roman antiquities, t. 1, Plate XVI — Giovanni Battista Piranesi, 1756
7. Ruins of the Antonine Baths — Giovanni Battista Piranesi
8. The Roman antiquities, t. 1, Plate XXIV. Nero`s aqueduct. — Giovanni Battista Piranesi, 1756
9. The Roman antiquities, t. 2, Plate XII. Prospectus and Profile of a tomb of the previous rooms — Giovanni Battista Piranesi, 1756
10. The Roman antiquities, t. 4, Plate XII. View of an entrance to the upper room into the boulder burial d`Elio Adriano. — Giovanni Battista Piranesi
11. The Roman antiquities, t. 1, Plate XXIII. Aventine Hill. — Giovanni Battista Piranesi, 1756
12. The Roman antiquities, t. 3, Plate LIV. Way in which they were raised big travertine, marble and other produce in the large tomb of Cecilia Metella. — Giovanni Battista Piranesi
13. The Roman antiquities, t. 4, Plate XXXII. Following the above table. — Giovanni Battista Piranesi
14. The Roman antiquities, t. 2, Plate XVI. Inscriptions and fragments of the burial chambers of the Family Arrunzia (figures carved from Barbault) — Giovanni Battista Piranesi, 1756
15. The Roman antiquities, t. 1, Plate XXXIII. Ruins of the temple of Castor and Pollux. — Giovanni Battista Piranesi, 1756
16. The Roman antiquities, t. 3, Plate XXVI. View in perspective of a previous goal of the burial chamber (Drawing by Antonio Buonamici, inc. By Girolamo Rossi). — Giovanni Battista Piranesi
17. The Roman antiquities, t. 1, Plate XXVI. Aqua Julia. — Giovanni Battista Piranesi, 1756
18. The Roman antiquities, t. 1, Plate XXXIII. Veduta with ruins of Nero`s Golden House. — Giovanni Battista Piranesi, 1756
19. The Roman antiquities, t. 1, Plate X. Aurelian Walls and Amphitheatrum Castrense. — Giovanni Battista Piranesi, 1756
20. The Roman antiquities, t. 1, Plate XIII — Giovanni Battista Piranesi, 1756
21. Vue de Rocca Giovine (no. V) — francois morel

otros

1. The Roman antiquities, t. 2, Plate XV. Inscriptions and fragments of the burial chambers of the Family Arrunzia (figures carved from Barbault). — Giovanni Battista Piranesi, 1756
2. Vedute di Roma (62) — Giovanni Battista Piranesi
3. The Roman antiquities, t. 2, Plate XXXVI. Hips and split of the urn itself (figures carved from Barbault). — Giovanni Battista Piranesi, 1756