periodo

movimiento

vibra

1. Kul-e Farah relief I panel — Javier Álvarez Mon, 500
2. Kul-e Farah relief IV, detail of an archer in panel C — Javier Álvarez Mon, 700
3. Kul-e Farah relief III, vessel-bearer and orchestra on the northern face — Javier Álvarez Mon, 600
4. Kul-e Farah relief I, detail of Shutruru weapon bearer, ragipal and gilirra of Hanni — Javier Álvarez Mon, 500
5. Kul-e Farah relief III, northern face — Javier Álvarez Mon, 600
6. Kul-e Farah relief IV, Mr. Asadi, Bakhtiyari caretaker of Kul-e Farah reliefs with central panel A — Javier Álvarez Mon, 700

temas

palabras clave

tono

1. Kul-e Farah relief IV, detail of an archer in panel C — Javier Álvarez Mon, 700
2. Kul-e Farah relief IV, Mr. Asadi, Bakhtiyari caretaker of Kul-e Farah reliefs with central panel A — Javier Álvarez Mon, 700

color principal

1. Pinson Hall close ups 17 — Salón Conmemorativo De Yoon Dongju, Universidad Yonsei, 2020
2. Kul-e Farah relief III, vessel-bearer and orchestra on the northern face — Javier Álvarez Mon, 600
3. Kul-e Farah relief IV, detail of an archer in panel C — Javier Álvarez Mon, 700
4. Shekaft-e Salman reliefs co-opted by Hanni six centuries after their manufacture — Javier Álvarez Mon, 500
5. Kul-e Farah relief III, northern face — Javier Álvarez Mon, 600
6. [Relief Carving, Mayan Ruins, Chichen Itza] — Octavio Medellín, 1938
7. [Relief Carvings on Columns, Terrace, Temple of the Warriors, Chichen Itza] — Octavio Medellín, 1938
8. Kul-e Farah relief IV, Mr. Asadi, Bakhtiyari caretaker of Kul-e Farah reliefs with central panel A — Javier Álvarez Mon, 700
9. Kul-e Farah relief I, detail of Hanni of Ayapir — Javier Álvarez Mon, 500
10. Trance dance, San rock painting — san hunter-gatherer, 2019

otros

1. Kul-e Farah relief III boulder — Javier Álvarez Mon, 600
2. Figura de piedra tallada, Patio de las Monjas, Uxmal — Octavio Medellín, 1938
3. [Relief Carving, Mayan Ruins, Chichen Itza] — Octavio Medellín, 1938
4. Shekaft-e Salman Relief III — Javier Álvarez Mon, 600
5. Kul-e Farah relief IV, line drawing of the complete ritual banquet ceremony — Javier Álvarez Mon, 700
6. Relief — Imperio Azteca, 1521
7. Kul-e Farah relief I, Tepti-Huban — Javier Álvarez Mon, 500
8. Mr. Asadi, Bakhtiyari caretaker of Kul-e Farah reliefs in front of relief I — Javier Álvarez Mon, 500
9. Kul-e Farah relief I, detail of zebu sacrifice — Javier Álvarez Mon, 500
10. [Relief Carving, Mayan Ruins, Chichen Itza] — Octavio Medellín, 1938
11. Kul-e Farah Relief II — Javier Álvarez Mon, 500
12. Monastic Cells — Kai Christian Bruhn, 2006