Vibrant political commentary meets natural resilience in Sharon M. Chin's 2015 painting, Weeds/Rumpai Series II; discover this powerful Malaysian artwork today.
シャロン M. チン（Sharon M. Chin）の多彩なアートを探索しましょう。マレーシア文化にインスパイアされた絵画、パフォーマンス、インスタレーションをご紹介します。彼女のクリエイティブ・サンクタムと独自の芸術的ビジョンをご覧ください。
ブリュネンのQAGOMAでアートシーンを体験！モダンな傑作から先住民の遺産まで、多様なコレクションと革新的な展示をお楽しみください。イベントも充実しています。
オーストラリア
現館長
ブリスベン
クイーンズランド美術館 | モダンアートギャラリー
La Gerbe
10M+
広範
美術館
1895
During the 2013 national election campaign in Malaysia, Sharon Chin (Malaysia b.1980) collected the political party flags that hung on trees, lamp posts and street signs in her hometown of Port Dickson, and painted over them images of weeds from her own garden. In this series, the number of flags from the ruling Barisan Nasional party (blue and white) versus the main opposition People’s Alliance coalition (red, blue and white) is proportional to the number of flags each party erected in Port Dickson during the campaign.Surviving and thriving in adverse conditions, weeds are a symbol of the resolute stubbornness of everyday existence. With their natural beauty and their sense of the uncontrollable and the inevitable, weeds are a powerful metaphor for dissent. ‘We are the weeds . . . we are in the buildings, the cracks, the fields, the roadsides . . . we are many and not alone.’Exhibited in
