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Tres elementos de una flor

David Manzur Londoño(1929 –)

ダビッド・マンサール・ロンドニョ:コロンビアの画家。象徴的な静物画や宗教画で知られる。20世紀半ば以降、バロック様式の影響と環境をテーマに探求する作品を展開。

米州開発銀行(ワシントンD.C., アメリカ合衆国)

ワシントンD.C.のIDB ArtLACギャラリーで、ラテンアメリカとカリブ海のアートを探索しましょう!現代作品、展覧会、文化イベントを体験できます。入場無料!

Subject and Visual Language

The painting, titled Tres elementos de una flor, unfolds as a dramatic dialogue between color and form. At its heart, a bold red field dominates the canvas, punctuated by three concentric circles that seem to hover in midair, their metallic sheen catching light from every angle. A solitary circle, positioned near the upper left corner, offers a subtle counterpoint, inviting the eye to wander beyond the central motif. The composition feels both intimate and expansive, as if the flower itself is breathing against an invisible horizon.

Technique and Materiality

Manzur’s early 1960s work is renowned for its tactile richness. In this piece he layers impasto of red, black, gray, and brown pigments, creating a palpable depth that invites touch as well as sight. The metallic circles are not merely painted; they appear to be cast or pressed into the surface, giving them a three‑dimensional quality that blurs the boundary between painting and sculpture. This hybrid technique reflects Manzur’s fascination with space as an immaterial yet perceptible entity.

Historical Context and Constructivist Influence

Emerging from Colombia in the 1960s, Manzur was deeply influenced by his collaboration with Russian constructivist Naum Gabo during the 1950s. The painting’s geometric fields echo Gabo’s exploration of spatial relationships, while its abstract language aligns with the broader Latin American avant‑garde that sought to redefine national identity through modernism. In this context, the flower becomes a vessel for experimentation—a poetic metaphor for time and transformation within a rapidly changing cultural landscape.

Symbolism and Emotional Resonance

The central vertical form evokes the torso of a body, suggesting vulnerability and strength intertwined. The three circles—budding, blooming, decaying—trace the life cycle of a flower, yet they also mirror stages of personal growth and artistic evolution. Viewers may feel drawn into this temporal narrative, experiencing a quiet meditation on impermanence and renewal. The red hue stirs passion, while the metallic accents introduce a sense of resilience, inviting collectors to contemplate how art can both capture fleeting moments and endure through time.

作品詳細

作品詳細

  • Title: Tres elementos de una flor
  • Year: 1961
  • Notable elements or techniques: Impasto layers, geometric shapes
  • Influences: Naum Gabo
  • Movement: Constructivism
  • Artist: David Manzur Londoño

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