Aeneas and Anchises escaping from Troy
102.0 x 196.0 cm
ケルス国立宮殿
ジョン・チアー (1709-1787)(1709 – 1787)
ジョン・チアー(1709-1787)は、邸宅を彩る魅力的な鉛像で知られる英国の主要な彫刻家です。古典的かつ田園的な主題を専門とし、その作品は18世紀貴族の嗜好を反映しています。彼の遺産をArtsDotで探索しましょう!
ケルス国立宮殿(ケルス, ポルトガル)
ポルトガルの歴史と王室の生活を反映した、ロココ様式の傑作、ケルス国立宮殿を訪ねてみませんか。豪華絢爛な内装、緑豊かな庭園、そして欧州の影響を受けた見事な美術品コレクションをご堪能ください。壮麗さと陰謀、そして修復の歴史を辿る旅へ!
A lead sculpture, representing the flight of the hero Aeneas from the sacking of the city of Troy. Dressed in military costume, Aeneas carries his father Anchises on his back. In turn, Anchises is holding a statue of a Penates (the deities who guarded hearth and home and were considered to be the depositaries and symbol of the “Trojan race”). Also to be found next to Aeneas are his son Ascanius and his wife Creusa. This composition is based on the work by the French artist François Girardon, presenting differences in the figures of Anchises, Ascanius and Creusa.The scene directs our attention to the epic poem The Aeneid, written by Virgil in the first century BC, which recounts the saga of the Trojan hero Aeneas, the son of Venus (Aphrodite) and Anchises, who had escaped the Trojan war through the will of Jupiter (Zeus), carrying his father on his back with the Penates, and leading his son by the hand, his mission having been laid down for him by destiny: to found a new Troy, the symbol of the future Rome. In his flight, Aeneas manages to save his son, but not his wife, whose fate after the fall of Troy varies according to the different traditions. Some authors turned her into a captive; others placed her among the Trojans who managed to flee the city. In Virgil’s version, Creusa mysteriously disappeared.
作品詳細
- 作品名: Aeneas and Anchises escaping from Troy
- 作家: ジョン・チアー (1709-1787)
- 作品サイズ: 102.0 x 196.0 cm
- 技法: Portrait
- 著作権の状態: パブリックドメイン
- 展示場所: ケルス国立宮殿
- 色相: Green to Violet Spectrum
- 彩度: Monochromatic