The brother of fellow artists Afro and Dino, Mirko Basaldella was a leading figurein the Italian school of Art Informel. He trained in Milan in the studio of ArturoMartini and married Corrado Cagli’s sister Serena.He is remembered for the monumental gates of the Fosse Ardeatine, an extraordinary work designed in the period 1949-1950. He exhibited work in the USA in the second half of the 1950s and came into contact with the American avant-garde, especially Jackson Pollock, and the cultural artefacts of the Amerindians and the pre-Columbian civilizations, which were to have a deep influence on the forms ofhis art. The constants of the period 1957-1959, to which The Great Mother belongs,are monumentality and sculptural power. The work is an anthropomorphic figurewith sacral overtones suggesting the deep bond between man and nature. EnricoCrispolti spoke with reference to Mirko’s work of primordial mythopoeia, wherebythe artist seeks the foundation of his contemporary reality in archetypes, constructing totemic icons that perform a storytelling function in a dramatic realitywhere it is no longer nature but history that acts as a cruel stepmother in Leopardi’ssense and leaves mankind no possibility of salvation.(Transl. by Paul Metcalfe per Scriptum, Roma)