Station 36, Goyu; Kyoka Tokaido Series
歌川広重(1797 – 1858)
浮世絵の最後を飾る巨匠、歌川広重(1797-1858)の世界へ。代表作『東海道五十三次』などの象徴的な風景画、詩情豊かな画風、そして印象派やゴッホに与えた多大な影響について詳しくご紹介します。
インディアナポリス美術館(Indianapolis, アメリカ合衆国)
インディアナポリスのニューフィールズへ!54,000点以上のアフリカ、アジア、ヨーロッパコレクション、美しい庭園、歴史的建造物、自然公園を探索。あらゆる年齢層向けの展示会、ツアー、イベントをお楽しみください。
Station 36, Goyu; Kyoka Tokaido Series: A Poetic Echo of Edo Japan
Utagawa Hiroshige’s “Station 36, Goyu; Kyoka Tokaido Series” transcends mere landscape depiction; it embodies a profound distillation of Edo-period sensibilities—a yearning for tranquility amidst the dynamism of daily life. Completed in 1855 during a pivotal moment of transition between feudal tradition and Western influence, this monumental woodblock print captures not just a visual scene but also an intangible mood that continues to resonate with viewers today. It’s more than just ink on paper; it's a window into the soul of Japan at its apex.- Subject Matter: The artwork portrays a serene pathway alongside water leading towards Mount Fuji, framed by lush foliage and distant buildings—a quintessential representation of the Tokaido Road, one of Japan’s major highways connecting Edo (Tokyo) to Kyoto. Hiroshige meticulously rendered the everyday activities of travelers along this route, subtly conveying a sense of movement and connection within the stillness of nature.
- Style: Hiroshige's approach firmly establishes him as a cornerstone of *ukiyo-e*, a genre celebrated for its vibrant colors and detailed compositions. However, unlike many contemporaries who prioritized spectacle, Hiroshige favored atmospheric perspective—a technique that skillfully diminishes color intensity and sharpness with distance—creating an illusion of depth and conveying the ethereal beauty of twilight.
- Technique: The print’s execution exemplifies the painstaking process of woodblock printing. Skilled artisans carved intricate designs into wooden blocks, applying ink in multiple layers to achieve nuanced tonal variations – a technique known as *bokashi*. These blocks were then pressed onto dampened washi paper, resulting in prints that possess a distinctive textured surface and remarkable clarity.
- Color Palette: Dominated by cool blues and greens—particularly the dominant hue of Mount Fuji—the palette evokes feelings of serenity and contemplation. Subtle hints of yellow illuminate buildings and clothing, adding warmth to the overall composition without disrupting its harmonious balance.
- Symbolism & Emotional Impact: The towering Mount Fuji serves as a powerful symbol of permanence and majesty, anchoring the scene in timeless grandeur. Simultaneously, Hiroshige’s depiction of travelers traversing the Tokaido Road speaks to themes of pilgrimage, resilience, and the human desire for connection with something larger than oneself. Viewing “Station 36” inspires reflection on beauty, solitude, and the enduring legacy of Edo Japan—a period remembered for its artistic achievements and philosophical depth.
作品詳細
- 作品名: Station 36, Goyu; Kyoka Tokaido Series
- 作家: 歌川広重
- 制作年: 1855
- 技法: Portrait
- 著作権の状態: パブリックドメイン
- 展示場所: インディアナポリス美術館
- 動勢: Japanese Ukiyo-e
- 時代: 19th Century
- 主要な色: Gray
- 用途: Statement
作品詳細
- Title: Station 36, Goyu; Kyoka Tokaido Series
- Notable elements or techniques: Multiple impressions, Bokashi (color gradation)
- Artist: Utagawa Hiroshige
- Medium: Ink on paper
- Location: Indianapolis Museum of Art at Newfields
- Influences: Hokusai
- Artistic style: Ukiyo-e


