時代

動き

1. Na planie zdjęciowym filmu TV — romuald pieńkowski, 1988
2. Edith, Danville, Virginia — emmet gowin, 1971
3. White-Red-Black 1999-2001 (Starachowice) — wojciech prażmowski, 2001
4. North side of building 3 and old Villa — ミシェル・マロ, 1969
5. Church?St. Martin, Nova Scotia — Minor White, 1972

雰囲気

1. Holland glory tulips Kenkenhof Gardens — カーシュ・オブ・オタワ, 1956

トピック

キーワード

色調

メインカラー

1. Saturday Morning at the Hypermarket Semi final of the Miss Lovely Legs Competition, Boksburg — david goldblatt, 1980
2. Grain Elevator, Dumas, Texas, 1973 — Frank Gohlke, 1994
3. Edith, Danville, Virginia — emmet gowin, 1971
4. Close No. 61 Saltmarket — Thomas Annan, 1868
5. Presque Isle Scrap Yard, ‘The Frog Pond’ — デビッド・プロルデン, 1985
6. Holland glory tulips Kenkenhof Gardens — カーシュ・オブ・オタワ, 1956
7. Church?St. Martin, Nova Scotia — Minor White, 1972
8. Untitled Pacific Coast Highway, from the Los Angles Documentary Project — john humble, 1980
9. Kemmerer Coal Company Dump Master, from the Wyoming Documentary Survey Project — Penny Diane Wolin, 1978
10. Paul Nadar, Photographie Prise Le 26 Décembre 1888 — フェリックス・ナダール, 1888
11. Red Building, Newbern, Alabama — William Christenberry, 1981
12. Old and New New York — アルフレッド・スティーグリッツ, 1910

その他

1. Set a boat afloat — Park Jun Sik
2. Smothers Brothers Song, from the Wyoming Documentary Survey Project — Penny Diane Wolin, 1979
3. Painted Desert, Petrified Forest N.P. Arizona, from the portfolio Shadowless Places, Deserts of the Southwest — frank di perna, 1984
4. Steel Elevator, Near Ropesville, Texas, 1975 — Frank Gohlke, 1991
5. Symphony in White Number 1, The White Girl — ジェームズ・アボット・マクニール・ホイッスラー
6. Blue Mesa, Petrified Forest N.P. Arizona, from the portfolio Shadowless Places, Deserts of the Southwest — frank di perna, 1984
7. Sunday Morning, from the project The Most Crowded Block — アーロン・シスキン, 1940
8. Park City 36. Prospector Village, Lot 65, looking Northwest — Lewis Baltz, 1979
9. Ant Hill, Delta Colorado, from the portfolio Shadowless Places, Deserts of the Southwest — frank di perna, 1984