時代

動き

雰囲気

トピック

キーワード

色調

メインカラー

1. Letter — katagiri iwanakami sekishu
2. Three Poems from the Collection of Poems Ancient and Modern (Kokin wakashū), one of the Araki Fragments (Araki-gire) — fujiwara no yukinari, 1001
3. Three poems from the “Later Collection of Japanese Poems” (Gosen wakashū), known as the “Karasumaru Fragment” (Karasumaru-gire) — fujiwara no sadayori, 1101
4. Thousand Character Classic — Ike Taiga, 701
5. Two Poems from the Collection of Poems Ancient and Modern, Continued (Zoku Kokin wakashū) — fujiwara no tameie's wife, 1201
6. Light - Neutral Area — ロバート・マンゴールド, 1966
7. Three Poems from the Later Collection of Japanese Poems (Gosen wakashū) — saigyō hōshi, 1101
8. Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū) — Fujiwara no Tameyori, 1201
9. Letter Addressed to Yo Shōemon — Ike Taiga, 701
10. Poems from the “Collection of Poems Ancient and Modern,” known as the “Murasame Fragments" (Murasame-gire) — fujiwara no tameyo, 301
11. ミツルの木 (Mitsuru no Ki) — フィンセント・ファン・ゴッホ, 1889
12. Hyakunin Jorō Shina sadame Vol. I — nishikawa sukenobu, 1723
13. Haiku,“Old Pond” — matsuo bashō
14. 花園 — フィンセント・ファン・ゴッホ, 1888
15. View of Neutral Bay from North Shore (f.10.) — george kilgour ingelow (artist), 1861
16. American Neutrality Obverse — karl otto götz, 1915
17. Vividly, we took Galich — カジミール・マレーヴィチ, 1914
18. Orchard in Blossom, Bordered by Cypresses — フィンセント・ファン・ゴッホ, 1888
19. Hyakunin Jorō Shina sadame Vol. I — nishikawa sukenobu, 1723
20. North South — ジョアン・ミロ, 1917
21. アルルにあるラングロワ橋 — フィンセント・ファン・ゴッホ, 1888
22. World War I Dutch Ivora Neutrality Plate — pieter van der want, 1918

その他

1. SAVED BY DROWNING (SICILIAN FOUNTAIN 2) — georgia hayes, 2013
2. A Venetian Scene — ジョン・ヘンリー・トゥワクトマン, 1877