時代

動き

雰囲気

1. Reclining Semi-Nude with Arms Raised — エゴン・シエレ

トピック

キーワード

1. Back of Seated Male — アンディ・ウォーホル, 1955

色調

1. Caryatid — モディリアーニ
2. Desnudo, Picasso a sus pies — パブロ・ピカソ
3. Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York — Sherrie Levine, 1984

メインカラー

1. Male Nude, Walking With Palms Raised — アンリ・ゴーディエ＝ブレスカ
2. Preparatory drawing from In Memory of My Feelings — グレイス・ハティガン, 1967
3. Nude — フリホーリイ・ハヴリレンコ, 1975
4. Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York — Sherrie Levine, 1984
5. A Group of Drawings and Studies: Woman — william sommer, 1947
6. Reclining Semi-Nude with Arms Raised — エゴン・シエレ
7. Nude lying down — フリホーリイ・ハヴリレンコ, 1975
8. Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York — Sherrie Levine, 1984
9. Untitled (standing female figure) — george copeland ault, 1923
10. Drawing for Bedroom Painting No. 15 — トム・ウェッセルマン, 1968
11. Wall drawing #338: Two part drawing. The wall is divided vertically into two parts. Each part is divided horizontally and vertically into four equal parts. 1st part: Lines in four directions, one direction in each quarter. 2nd part: Lines in four dir.... — ソロモン・ルウィット, 1971
12. Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York — Sherrie Levine, 1984
13. コンセプション・リサラガを描いた絵画 — ミゲル・デ・ウナムーノ
14. Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York — Sherrie Levine, 1984
15. Sitting Nude from the Back — andrej barčík
16. Standing Female Nude — william sommer, 1920
17. Desnudo, Picasso a sus pies — パブロ・ピカソ
18. Supplication — アーサー・B・デイヴィス
19. Back of Seated Male — アンディ・ウォーホル, 1955
20. Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York — Sherrie Levine, 1984
21. Caryatid — モディリアーニ
22. Grand Duke (Preparatory Drawing ) — ジェフリー・トーマス・メイキン, 2019
23. Drawing- 02 — Shubhankar Chandere

その他

1. Drawing of Salai — レオナルド・ダ・ヴィンチ, 1500