период

движение

1. Madonna degli Alberetti — Джотто Беллини, 1487

атмосфера

1. Madonna degli Alberetti — Джотто Беллини, 1487

темы

ключевые слова

1. Presentation at the Temple — Джотто Беллини, 1460

тон

1. Madonna degli Alberetti — Джотто Беллини, 1487

основной цвет

1. Farnese prince watches the construction of a building — ilario giacinto mercanti
2. Matrices for printing textiles — Мариано Фортуни, 1920
3. Coriolanus persuaded by his Family to spare Rome — Michele da Verona
4. Still life with Japanese print — Гоген, 1888
5. Carrying of the Cross — pieter brueghel the younger's workshop
6. The Crucifixion — Джотто Беллини, 1503
7. Allegory on worldly and ecclesiastical abuses. — Gillis Mostaert
8. Christ Healing the Blind — Лукас Ван Лейден, 1531
9. Feast of the Gods — Джотто Беллини
10. A Flemish Kermis with a Performance of the Farce ‘Een cluyte van Plaeyerwater’, Peeter Baltens, c. 1570 — peeter baltens, 1570
11. Untitled print sleeve with woodblock print — Чиура Обэта, 1930
12. The slave market, cairo — Уильям Джеймс Мюллер
13. Portrait of a Humanist — Джотто Беллини, 1475
14. Return of Jacob with His Family (detail) — Якопо Бассано
15. Madonna degli Alberetti — Джотто Беллини, 1487
16. Presentation at the Temple — Джотто Беллини, 1460
17. Christ Presented to the People — Лукас Ван Лейден
18. The Adoration of the Magi — Доменико Венециано, 1439
19. Portrait of Doge Giovanni Mocenigo — Джентиле Беллини, 1478
20. The Trojans Building the Temple to Venus and Making Offerings at Anchises's Grave in Sicily — Доссо Досси, 1520
21. The faithful wives of weinsberg — isaac claesz van swanenburg (isaac nicolai van swanenburg)

другое

1. Wall drawing #338: Two part drawing. The wall is divided vertically into two parts. Each part is divided horizontally and vertically into four equal parts. 1st part: Lines in four directions, one direction in each quarter. 2nd part: Lines in four dir.... — Сол Левитт, 1971
2. Four Allegories: Prudence and Falsehood — Джотто Беллини, 1490
3. Popular Print for the Exhibition at the Museum of Modern Art, Bogotá — álvaro barrios, 1977