период
движение
- Seated Woman with Covered Face (Study for
- Ранняя вывертка (исследование для)
- Этюд для
- Стоящая женщина в накидке (Этюд к портрету
- Портрет Элизабет Бахофен-Эхт
- Woman Standing with Hands Clasped (Study for the portrait
- Study for Portrait of Eugenia Primavesi
- Seated figure in frilly dress turned to the left
- Набросок к портрету Маргериты Стоунборроу-Виттгенштейновой
атмосфера
- Study for Portrait of Adele Bloch-Bauer I
- Стоящая женщина в накидке (Этюд к портрету
- Crouching figure from the front, with face hidden. Study for the painting
- Woman Standing with Hands Clasped (Study for the portrait
- Study for Portrait of Eugenia Primavesi
- Standing figure in frilly dress
- Standing Woman with Left Leg Raised; Figure Repeated (Study for
- Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)
темы
ключевые слова
тон
основной цвет
- Study for Portrait of Eugenia Primavesi
- Набросок к портрету Маргериты Стоунборроу-Виттгенштейновой
- Studies after the Model
- Study of the head of a man in profile
- Woman Standing with Hands Clasped (Study for the portrait
- Studies of a Dead Sparrow
- (Four Figure with Doodles)
- Tondo (Studie), 1973
- Crouching figure from the front, with face hidden. Study for the painting
- Standing Woman with Left Leg Raised; Figure Repeated (Study for
- Ранняя вывертка (исследование для)
- Сидящая женщина с подпертым подбородком (Этюд к портрету
- Seated Woman with Covered Face (Study for
- Стоящая женщина в накидке (Этюд к портрету
- Sketch 160
- Sketch 111
- Seated figure in frilly dress turned to the left
- Cursory sketch of several figures
- Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio)
- Standing figure in frilly dress
- Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)
- Study for Portrait of Adele Bloch-Bauer I
- Этюд для