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BESPLATNE KONSULTACIJE SA STRUČNJAKOM ZA UMETNOST

period

  1. The pleasures of rest — nikos hadjikyriakos-ghika, 1946

pokret

  1. Anne with Hand on Mouth — Avigdor Arikha, 1970

vibe

  1. The pleasures of rest — nikos hadjikyriakos-ghika, 1946
  2. Make an attempt, second version — Хилари Жермен Едгар Дегас, 1877
  3. Pear and Apple — Avigdor Arikha, 1972
  4. Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York — Sherrie Levine, 1984

teme

ključne reči

  1. Pear and Apple — Avigdor Arikha, 1972
  2. Anne with Hand on Mouth — Avigdor Arikha, 1970

ton

  1. Anne with Hand on Mouth — Avigdor Arikha, 1970
  2. Make an attempt, second version — Хилари Жермен Едгар Дегас, 1877
  3. Pear and Apple — Avigdor Arikha, 1972
  4. Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York — Sherrie Levine, 1984

primarna boja

  1. Afterword — Chester Arnold, 2009
  2. Drawing for Bedroom Painting No. 15 — Том Веселман, 1968
  3. Preparatory drawing from In Memory of My Feelings — Грејс Хартиган, 1967
  4. Anne with Hand on Mouth — Avigdor Arikha, 1970
  5. Untitled (6) — Џим Дајн
  6. The pleasures of rest — nikos hadjikyriakos-ghika, 1946
  7. Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York — Sherrie Levine, 1984
  8. Promotion des cadres ( promozione dei quadri ) — arman manookian
  9. Cups for Argamenon — antonio josé campos dos santos, 1995
  10. Drawing 6 — Джон Сингер Сергент
  11. Drawing- 02 — Shubhankar Chandere
  12. Peninsula — angel otero
  13. Drawing 3 — Джон Сингер Сергент
  14. Several figures drawing sketch — domingos antónio de sequeira, 1833
  15. Map of the EU — Gretchen Andrew, 2021

ostalo

  1. Vandal's Trellis — nick mauss, 2004
  2. Work 19 G — kimiyo mishima, 2019
  3. Pursuit — Карло Кара, 1915
  4. Untitled (624) — Jannis Kounellis
  5. Ice Lumens — Adela Andea, 2013
  6. Opening a kiln, Black Satsuma Ware — ryumonji-yaki kigyo kumiai, 2014
  7. B-Walnut Stain — Pierre Soulages, 1998