period

pokret

1. Portrait of Joan van Paffenrode, Baron of Ghussigny, Dramatic Poet, Arnoud van Halen, 1700 - 1732 — arnoud van halen, 1732
2. Louis XIV — benoit, rigaud, 1700
3. Auto-da-fe on Plaza Mayor, Madrid — Francisco Rizi, 1683
4. Maerten Harpertsz Tromp — Јан Ливенс
5. Mythological scene — francisco vieira de matos "o lusitano", 1880
6. San Francisco 2 — Франциско Де Зурабон

vibe

teme

ključne reči

1. Portrait of Joan van Paffenrode, Baron of Ghussigny, Dramatic Poet, Arnoud van Halen, 1700 - 1732 — arnoud van halen, 1732

ton

primarna boja

1. Portrait of King John II Casimir Vasa — Daniel II Schultz
2. Adoration of the Magi — Франциско Де Зурабон
3. Head of Goliath — francisco vieira de matos "o lusitano"
4. Portrait of a Gentleman with armor and red scarf — Pier Francesco Cittadini
5. Cornelis Evertsen — Николас Маес
6. Mythological scene — francisco vieira de matos "o lusitano", 1880
7. Edward sackville — Антони Ван Дик
8. Maerten Harpertsz Tromp — Јан Ливенс
9. San Francisco 2 — Франциско Де Зурабон
10. Charles i - (53) — Антони Ван Дик
11. Portrait of Francisco Bayeu — Франсиско Гоја
12. Adriaen Banckert (c 1620-1684), Vice Admiral of Zeeland, Hendrick Berckman, 1673 — Hendrick Berckman, 1673
13. François de Gontaut, Duc de Biron — Nikola De Larijer, 1714
14. Circumcision — Франсиско Гоја
15. Auto-da-fe on Plaza Mayor, Madrid — Francisco Rizi, 1683
16. Louis XIV — benoit, rigaud, 1700
17. Portrait of William III (1650-1702), Prince of Orange, Willem Wissing (manner of), 1680 - 1710 — willem wissing, 1710
18. Portrait of Joan van Paffenrode, Baron of Ghussigny, Dramatic Poet, Arnoud van Halen, 1700 - 1732 — arnoud van halen, 1732
19. Oil Sketch for High Altarpiece, St Bavo, Ghent — Сэр Пјетр Паул Рубенс
20. Portrait of Pedro Mocarte, a Singer of the Cathedral of Toledo — Франсиско Гоја

ostalo

1. Fray Francisco Zumel — Франциско Де Зурабон
2. San Bruno — Франциско Де Зурабон
3. Francisco Bayeu — Франсиско Гоја, 1795
4. Portrait of Johan van Beaumont (1609-95), Jan Mijtens, 1661 — Johannes Mytens, 1661