Meni

period

pokret

vibe

  1. Suprematistic composition. White in white. (Feeling of fading away.) — Казимир Малевић, 1927
  2. Symphony in White, No. 1: The White Girl — Džejms Abbot Meknil Visler, 1862
  3. Suprematist Composition: White on White - Бела на бела — Казимир Малевић, 1918

teme

  1. Volume to offset modules — Dadamaino
  2. Suprematist Composition: White on White - Бела на бела — Казимир Малевић, 1918

ključne reči

ton

  1. Concetto spaziale — Лучио Фонтана, 1960
  2. Volume to offset modules — Dadamaino
  3. Symphony in White no 2 The Little White Girl — Džejms Abbot Meknil Visler
  4. Aquatic Park, San Francisco — Minor White, 1949

primarna boja

  1. Untitled — tomasz pietrzyk
  2. Volume to offset modules — Dadamaino
  3. Untitled #204 — il lee (korean: 이일), 2004
  4. Symphony in White Number 2, The Little White Girl — Džejms Abbot Meknil Visler
  5. Concetto spaziale — Лучио Фонтана, 1960
  6. Spring - a triptych — clarence h. white
  7. Untitled — ahmad montazeri
  8. Strapless Evening dress in white-on-white dotted organdy — Elza Šapijareli, 1950
  9. Architecture of the Sky — Ross Bleckner, 1990
  10. Symphony in White no 2 The Little White Girl — Džejms Abbot Meknil Visler
  11. Suprematist Composition: White on White - Бела на бела — Казимир Малевић, 1918
  12. Symphony in White Number 1, The White Girl — Džejms Abbot Meknil Visler
  13. Cover (White) with Tape — analia saban
  14. Die Vibration der Stille — Heinz Mack
  15. Symphony in White, No. 1: The White Girl — Džejms Abbot Meknil Visler, 1862
  16. Untitled (Nets) — Rachel Whiteread, 2002
  17. White acrylic paint on white and blue striped cloth — Daniel Buren, 1970
  18. Symphony in White No1 The White Girl — Džejms Abbot Meknil Visler
  19. Untitled (906) — Piero Manzoni
  20. Suprematistic composition. White in white. (Feeling of fading away.) — Казимир Малевић, 1927

ostalo

  1. Untitled from 9x5 Konkret Portfolio — Ludwig Wilding, 1973
  2. Liquid Space I — jack whitten, 1976
  3. Blue Parametric — Rašid Bin Abdullah Al Khalifa, 2000