Meni
BESPLATNE KONSULTACIJE SA STRUČNJAKOM ZA UMETNOST

period

pokret

teme

ključne reči

ton

  1. Kul-e Farah relief IV, detail of an archer in panel C — Javier Álvarez Mon, 700
  2. View of Kurangun open-air santuary — Javier Álvarez Mon, 1500
  3. The Viera dolmen — Хавјер Перес Гонсалес, 2015
  4. Kul-e Farah relief I — Javier Álvarez Mon, 500

primarna boja

  1. Kul-e Farah relief I, detail of zebu sacrifice — Javier Álvarez Mon, 500
  2. [Relief Carvings on Columns, Terrace, Temple of the Warriors, Chichen Itza] — Oktavio Medeljin, 1938
  3. [Relief Carving, Mayan Ruins, Chichen Itza] — Oktavio Medeljin, 1938
  4. Kul-e Farah relief I, detail of Hanni of Ayapir — Javier Álvarez Mon, 500
  5. Relief panel — mughal dynasty, 1600
  6. Kul-e Farah Relief II — Javier Álvarez Mon, 500
  7. Kul-e Farah relief III, northern face — Javier Álvarez Mon, 600
  8. Relief — Aztečko Carstvo, 1521
  9. Kul-e Farah relief I, detail of Shutruru weapon bearer, ragipal and gilirra of Hanni — Javier Álvarez Mon, 500
  10. Kul-e Farah relief III, detail of individual from the northern face — Javier Álvarez Mon, 600
  11. The Viera dolmen — Хавјер Перес Гонсалес, 2015
  12. Kul-e Farah relief III boulder — Javier Álvarez Mon, 600
  13. Shekaft-e Salman Relief III — Javier Álvarez Mon, 600
  14. Kul-e Farah relief III, vessel-bearer and orchestra on the northern face — Javier Álvarez Mon, 600
  15. View of Kurangun open-air santuary — Javier Álvarez Mon, 1500
  16. Study for an Annunciation (verso) — Mihailo Anđelo, 1547
  17. Kul-e Farah relief I panel — Javier Álvarez Mon, 500
  18. Untitled, from the Silueta series — Ana Mendieta, 1980
  19. Pinson Hall close ups 17 — Yoon Dongju Memorial Hall, Yonsei University, 2020
  20. Kul-e Farah relief I — Javier Álvarez Mon, 500
  21. Mr. Asadi, Bakhtiyari caretaker of Kul-e Farah reliefs in front of relief I — Javier Álvarez Mon, 500
  22. [Ухмальский каменный рельеф с фигурой морского бога] — Oktavio Medeljin, 1938
  23. [Relief Carving, Mayan Ruins, Chichen Itza] — Oktavio Medeljin, 1938

ostalo