period

pokret

vibe

teme

1. Venedig Canal Grande mit New Factories — giuseppe bernardino bison
2. View on the Cannaregio Canal, Venice — Франческо Лазаро Гарди, 1780

ključne reči

ton

primarna boja

1. Venice, a view of the entrance to the grand canal, looking east, with santa maria della salute — apollonio domenichini (maestro della fondazione langmatt)
2. The Death of the Virgin — Андреа Мантења, 1460
3. The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio — Luka Karlevaris, 1709
4. Grand Canal: Looking North-East toward the Rialto Bridge — Каналето, 1725
5. The Gleize Bridge over the Vigneyret Canal — Vincent Van Gog, 1888
6. Venice, a view of the bacino di san marco with santa maria della salute beyond — johann richter
7. Venedig Canal Grande mit New Factories — giuseppe bernardino bison
8. The Virgin Mary Nursing the Christ Child — Ханс Мемлинг, 1494
9. View on the Cannaregio Canal, Venice — Франческо Лазаро Гарди, 1780
10. The Island of San Michele, Looking toward Murano — Caspar van Wittel, 1700
11. The Virgin Reading to the Infant Christ/The Virgin Adoring the Infant Christ with Saint John\n\nThe Virgin Reading to the Infant Christ (recto) — Виторе Карпачо, 1490
12. Virgin Mary In Prayer — Albreht Direr
13. Christ on the Cross with Mary, John and Mary Magdalene — master of the life of the virgin, 1465
14. The Dead Christ with the Virgin and St. Mary Magdalene — Ањоло Бронзино, 1530
15. Coronation of the Virgin Mary — giovanni battista da ponte, 1425
16. View of san giorgio maggiore seen from the south, venice — johan richter (giovanni richter)
17. Virgin Mary Annunciate — Фра Анђело, 1431
18. Venetian View — Giovanni Migliara
19. The Molo: Looking West (detail) — Каналето, 1730
20. Young Virgin Mary — Жорж Де Ла Тур
21. The Entrance to the Grand Canal, Venice — Каналето

ostalo

1. Capriccio of the Grand Canal With an Imaginary Rialto Bridge and Other Buildings — Каналето
2. Гранд канал и црква Свете Марије помоћнице (Салуте) — Каналето, 1730
3. The Holy Virgin Mary — chris ofili, 1996