period

pokret

1. Close No. 139 Saltmarket — Thomas Annan, 1868
2. The Forge\n\nReference Image — andrzej różycki
3. Untitled — Arjun Bijlani
4. Untitled, Harlem, New York — Gordon Parks, 1952
5. Untitled (Pole 2573) — paul hester
6. Непознато — Arjun Bijlani
7. Night on Mott (from series, Chinatown) — eve sonneman, 1971
8. I’m a Celebrity, Get me Out of Winson Green!,\nfrom the series What Photography & Incarceration have in Common with an Empty Vase — Edgar Martins, 2019
9. Man Blinding Himself By Staring at the Sun — nathan jay jaffee, 1991

vibe

teme

ključne reči

ton

primarna boja

1. The Forge\n\nReference Image — andrzej różycki
2. Paul Nadar, Photographie Prise Le 26 Décembre 1888 — Félix Nadar, 1888
3. Photographic projection — pintu nanda
4. Old and New New York — Alfred Stiglic, 1910
5. The bathing, cooking, washing vessels, and clothes are moved out diminishing boundaries of private and public lives — Yazhini An
6. Untitled — Arjun Bijlani
7. Streets of Havana — nathan david cohn
8. Untitled, Harlem, New York — Gordon Parks, 1952
9. Untitled (Pole 2573) — paul hester
10. Sunday Morning, from the project The Most Crowded Block — Арон Сискинд, 1940
11. Jake, Bath Beach, Brooklyn — thomas roma, 1980
12. Close No. 139 Saltmarket — Thomas Annan, 1868
13. In the Yard — miroslav hák
14. Untitled — Arjun Bijlani
15. Pizzeria, New York — William Klein, 1954
16. Untitled — Arjun Bijlani
17. I’m a Celebrity, Get me Out of Winson Green!,\nfrom the series What Photography & Incarceration have in Common with an Empty Vase — Edgar Martins, 2019
18. José Malhoa. Landscape, 1889 — julio anaya cabanding, 2019

ostalo

1. Women are seen performing unpaid and paid labour throughout the day — Yazhini An
2. Photographic projection — pintu nanda
3. War Children — Samer Mohdad, 2014