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Chinese Couplet by Bai Juyi and Waka by Fujiwara no Toshiyuki (partial) from “Japanese and Chinese Poems to Sing” (Wakan rōeishū)

Explore Konoe Sakihisa’s ‘Chinese Couplet,’ a stunning Momoyama calligraphy scroll featuring Bai Juyi & Fujiwara no Toshiyuki. Admire intricate details & chrysanthemums in this 601 AD masterpiece.

Konoe Sakihisa (1536-1612) war ein japanischer Höfling und wichtiger Akteur der Sengoku-Zeit. Er prägte die Kunst durch seine Förderung des Kanō-Stils und hatte Verbindungen zu bedeutenden Persönlichkeiten wie Oda Nobunaga und Toyotomi Hideyoshi.

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reproduction

Chinese Couplet by Bai Juyi and Waka by Fujiwara no Toshiyuki (partial) from “Japanese and Chinese Poems to Sing” (Wakan rōeishū)

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Eckdaten

  • Medium: Calligraphy on decorated paper
  • Dimensions: 33.3cm x 47.3cm
  • Artist: Konoe Sakihisa
  • Notable elements: Gold and silver chrysanthemums
  • Subject or theme: Autumn poems and floral motifs
  • Year: 601
The painting titled Chinese Couplet by Bai Juyi and Waka by Fujiwara no Toshiyuki (partial) from “Japanese and Chinese Poems to Sing” (Wakan rōeishū), created by the renowned artist Konoe Sakihisa, is a masterpiece that encapsulates the refined elegance of Momoyama court calligraphy. This handscroll section, measuring 33.3cm x 47.3cm and crafted on sumptuously decorated paper with chrysanthemums and pampas grasses in gold and silver, showcases the aesthetic sensibilities of the ancient Heian court. The "cloud-patterned paper" (kumogami), featuring blue- and purple-dyed undulating cloud motifs, adds a touch of sophistication to the artwork. The calligrapher, Konoe Sakihisa, a high-ranking courtier-poet, was celebrated for his exceptional talent in calligraphy. Both texts within the painting refer to chrysanthemums and are included in the autumn section of "Japanese and Chinese Poems to Sing," an influential anthology compiled by Fujiwara no Kintō around 1014. The Chinese couplet by Bai Juyi (772–846) is written in kanji, staggered in four columns. At the left are two columns of elegant kana representing the first half of a waka by Fujiwara no Toshiyuki (died ca. 907). This intricate arrangement of texts and decorative elements highlights the artistic skill and attention to detail characteristic of Momoyama court calligraphy. For those interested in exploring more works by Konoe Sakihisa, ArtsDot.com offers a range of his paintings, including Chinese Couplet by Bai Juyi and Waka by Fujiwara no Toshiyuki (partial) from “Japanese and Chinese Poems to Sing” (Wakan rōeishū) and Letter. To delve deeper into the world of Japanese calligraphy, one can also examine the works of other notable artists such as Konoe Nobuhiro and his piece Anthology of Japanese and Chinese Poems (Wakan rōeishū) with Underpainting of Arrowroot Vines, or Fujiwara No Yukinari’s Three Poems from the Collection of Poems Ancient and Modern (Kokin wakashū), one of the Araki Fragments (Araki-gire). These artworks, available on ArtsDot.com, provide a comprehensive look at the evolution and beauty of Japanese calligraphy. For more information on Konoe Sakihisa and his contributions to Japanese art, visit Konoe Sakihisa.

Key Points:

This painting is a testament to the enduring legacy of Momoyama court calligraphy, blending artistic expression with poetic depth.

Über den Künstler

Konoe Sakihisa: A Court Noble Bridging Politics and Artistic Patronage

Konoe Sakihisa, a figure of immense importance during the tumultuous Sengoku, Azuchi-Momoyama, and early Edo periods (1536 – 1612), was far more than simply a Japanese court noble. He represents a fascinating confluence of political maneuvering, military strategy, and subtle yet profound artistic influence—a testament to his era’s complex dynamics. Born in Nakamura, he ascended through the ranks of the Fujiwara clan's Konoe branch, a lineage deeply entwined with the very fabric of Japanese governance for centuries. His early life, shaped by the legacy of his regent father, Taneie, laid the groundwork for a career marked by both power and strategic retreat.
  • Early Life and Political Ascent: Sakihisa’s rise began at just nineteen years old when he was appointed Kampaku-sadaijin (regent) – a position of immense responsibility during a period of constant warfare and shifting alliances. This appointment, coupled with his subsequent elevation to Daijō-daijin (chief councilor), reflected his growing influence within the political landscape.
  • Service to Oda Nobunaga: A pivotal moment in Sakihisa’s career was his association with Oda Nobunaga. Recognizing Nobunaga's ambition and military prowess, Sakihisa became a trusted advisor, accompanying him on campaigns that further solidified his position within the burgeoning power structure of Japan.
  • The Toyotomi Connection: Perhaps most significantly, Sakihisa’s adoption of Hashiba Hideyoshi (later Toyotomi Hideyoshi) in 1585 proved to be a masterstroke. This act granted Hideyoshi Fujiwara legitimacy, paving the way for his appointment as Kampaku – a move that fundamentally altered the balance of power and ushered in the Edo period.

The Kanō School and Artistic Influence

While often remembered primarily for his political roles, Konoe Sakihisa’s legacy extends significantly into the realm of Japanese art. His family's patronage played a crucial role in fostering the development of the Kanō school style – an artistic movement characterized by its vibrant colors, luxurious gold leaf application, and meticulous attention to detail. The Kanō school, dominant during this period, reflected the opulent tastes of the nobility and sought to emulate the refined aesthetics of Chinese painting.
  • Kanō School Characteristics: Works from the Kanō school are instantly recognizable for their bold use of color, particularly crimson and gold, alongside intricate details and a sense of serene elegance. These elements were deeply rooted in the aesthetic preferences of the Japanese elite during the Azuchi-Momoyama and early Edo periods.
  • Sakihisa’s Patronage: Sakihisa's family actively supported artists within the Kanō school, contributing to its growth and influence. His connections facilitated the transmission of techniques and styles, ensuring that this distinctive artistic tradition flourished.
  • Chinese Painting as Inspiration: The Kanō school drew heavily on Chinese painting traditions, particularly in terms of composition, brushwork, and subject matter. Sakihisa’s appreciation for these influences undoubtedly shaped the aesthetic sensibilities of his court.

Beyond Politics: A Scholar and Calligrapher

Sakihisa's life was not solely defined by political ambition. He was a highly educated individual, deeply versed in classical literature, etiquette, and Buddhist philosophy. His intellectual pursuits extended to calligraphy, where he developed a distinctive style influenced by the Sonen school. The tanzaku (calligraphic couplets) attributed to him offer glimpses into his thoughts and reflections on life, death, and the natural world.
  • Calligraphic Style: Sakihisa’s calligraphic works are characterized by their elegant brushstrokes and refined composition – reflecting a deep understanding of traditional techniques.
  • The Significance of Tanzaku: These calligraphic couplets, often inscribed with Buddhist prayers, provide valuable insights into the spiritual beliefs and philosophical outlook of a man who navigated the complexities of courtly life.

Historical Context and Legacy

Konoe Sakihisa’s story is inextricably linked to the turbulent history of 16th and 17th century Japan. He lived through a period of intense warfare, political upheaval, and social transformation – witnessing the rise of Oda Nobunaga, the consolidation of power by Toyotomi Hideyoshi, and the eventual establishment of the Tokugawa shogunate. His ability to adapt to changing circumstances, forge strategic alliances, and maintain his position within the complex web of Japanese politics speaks volumes about his intelligence, diplomacy, and resilience. While he ultimately retreated from active political life, his legacy as a key figure in shaping the course of Japanese history remains undeniable. He stands as a testament to the intricate interplay between power, art, and culture during one of Japan’s most dynamic eras.
Konoe Sakihisa

Konoe Sakihisa

1536 - 1612 , Japan

Kurzinfos

  • Artistic Movement Or Style: Kanō-Schule
  • Artists Or Movements Influenced By This Artist: ['Momoyama-Kunst']
  • Artists Who Influenced This Artist: ['Kanō-Schule']
  • Date Of Birth: 1536
  • Date Of Death: 1612
  • Full Name: Konoe Sakihisa
  • Nationality: Japanisch
  • Notable Artworks: ['Chinesisches Gedicht']
  • Place Of Birth: Nakamura, Japan