Menü

Zeitraum

  1. MONSIEUR HUBERT — Louis Léopold Boilly
  2. Portrait of Maurice Quay — Henri François Riesener, 1797
  3. PORTRAIT DU PEINTRE LOUIS DAVID — François Joseph Navez

Bewegung

  1. Portrait of Maréchale Lannes, Duchesse de Montebello with Her Children — Marguerite Gérard, 1814
  2. Maria Luisa, Empress Dei Francesi — Jean-Baptiste Paulin Guérin
  3. Studio Scene — Marie Gabrielle Capet, 1808
  4. The Dubufe Family in 1820 — Claude Marie Dubufe, 1820

Themen

  1. Die Weißfürstin — Francisco José de Goya y Lucientes, 1795
  2. Duchess of Châteauroux — sophie louise girard

Schlagworte

Tonwert

Hauptfarbe

  1. The Duchess of Rutland (possibly Katherine Manners, née Noel, 1657–1733, Duchess of Rutland, wife of John Manners, 1st Duke of Rutland) — Michael Dahl
  2. Portrait of a young woman in bust — Claude Lefebvre
  3. Ville d_Avray - oil on canvas - ) — Jean-Baptiste-Camille Corot, 1870
  4. Duchess Elisaveta Alexeevna — Louise Élisabeth Vigée Le Brun, 1796
  5. Maria Luisa, Empress Dei Francesi — Jean-Baptiste Paulin Guérin
  6. MONSIEUR HUBERT — Louis Léopold Boilly
  7. Portrait of the Queen of the two Sicilies — Luis López Y Piquer
  8. Princess Luisa Carlotta of the Two Sicilies — Luis López Y Piquer
  9. Portrait of Grand Duchess Elena Pavlovna — Karl Brjullow, 1829
  10. Portrait of a Princess of Schleswig-Holstein, — Johann Peter Krafft
  11. Duchess of Châteauroux — sophie louise girard
  12. Giulia Varano, Herzogin von Urbino — Tizian, 1545
  13. Countess Aurora — Carl Wilhelm Nordgren, 1835
  14. The Duchesse de Berry in a Blue Velvet Dress — Élisabeth Vigée Le Brun, 1824
  15. Die Weißfürstin — Francisco José de Goya y Lucientes, 1795
  16. Portrait of Maréchale Lannes, Duchesse de Montebello with Her Children — Marguerite Gérard, 1814
  17. Studio Scene — Marie Gabrielle Capet, 1808
  18. Portrait of Angélique d'Hautefort — Nicolas de Largillière
  19. LES GRAVES DE VILLERVILLE, dit aussi PATURAGE AVEC VUE SUR LA MER — Charles-François Daubigny
  20. Portrait of Maurice Quay — Henri François Riesener, 1797