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Zeitraum

Bewegung

  1. Mary Chamberlain — Sir John Everett Millais, 1891
  2. The Honourable John Nevile Manners — Sir John Everett Millais, 1896
  3. Ophelia (And will he not come again.'')'' — Arthur Hughes, 1863
  4. Sweet Emma Morland — Sir John Everett Millais, 1892
  5. Cupid's Hunting Fields — Edward Coley Burne-Jones
  6. Emily Patmore — Sir John Everett Millais, 1851
  7. Christ in the House of His Parents — Sir John Everett Millais, 1849

Stimmung

  1. Mary Chamberlain — Sir John Everett Millais, 1891
  2. The Return of the Dove to the Ark — Sir John Everett Millais, 1851
  3. Pflückt die Rosenknospen, solange ihr könnt — John William Waterhouse, 1909
  4. The Honourable John Nevile Manners — Sir John Everett Millais, 1896
  5. Ophelia (And will he not come again.'')'' — Arthur Hughes, 1863
  6. Sweet Emma Morland — Sir John Everett Millais, 1892
  7. Cupid's Hunting Fields — Edward Coley Burne-Jones
  8. Der Tanz im Lande — Pierre-Auguste Renoir, 1890
  9. Emily Patmore — Sir John Everett Millais, 1851
  10. Gathering Summer Flowers in a Devonshire Garden — John William Waterhouse
  11. Christ in the House of His Parents — Sir John Everett Millais, 1849

Themen

  1. Robe study (Draped Model) — George Grosz
  2. Study For Juno's Cloak In Prospero — Herbert James Draper

Schlagworte

Tonwert

  1. The Return of the Dove to the Ark — Sir John Everett Millais, 1851
  2. Pflückt die Rosenknospen, solange ihr könnt — John William Waterhouse, 1909
  3. Cupid's Hunting Fields — Edward Coley Burne-Jones

Hauptfarbe

  1. Das Mädchen und der Tod — Edvard Munch, 1894
  2. Gathering Summer Flowers in a Devonshire Garden — John William Waterhouse
  3. Ophelia (And will he not come again.'')'' — Arthur Hughes, 1863
  4. Selbstporträt — William Holman Hunt, 1845
  5. Leda — André Masson, 1947
  6. Study of a Woodboatman 1 — George Caleb Bingham
  7. Study For Juno's Cloak In Prospero — Herbert James Draper