Zeitraum

1. Donación de una quinta de viñas y castañales — bernal gonzález de vallecillo (public notary), 1519
2. Poder que otorga Fernando de Magallanes a Diego Barbosa — bernal gonzález de vallecillo (public notary), 1519
3. Letter from Gonzalo Gómez de Espinosa to Charles I on the fate of the Trinidad\n\nLetter from Gonzalo Gómez de Espinosa to Charles I on the fate of the Trinidad / Page 01 — Gonzalo Gómez de Espinosa
4. Calligraphy of the Character — Yinyuan Longqi, 1671

Bewegung

Stimmung

1. Donación de una quinta de viñas y castañales — bernal gonzález de vallecillo (public notary), 1519
2. Manuscript of Yoon Dongju — Yun Dong-Ju, 1941
3. Poder que otorga Fernando de Magallanes a Diego Barbosa — bernal gonzález de vallecillo (public notary), 1519
4. Letter from Gonzalo Gómez de Espinosa to Charles I on the fate of the Trinidad\n\nLetter from Gonzalo Gómez de Espinosa to Charles I on the fate of the Trinidad / Page 01 — Gonzalo Gómez de Espinosa
5. Manuskript von Yoon Dongju — Yun Dong-Ju, 1941
6. Manuscript of Yoon Dongju — Yun Dong-Ju, 1941

Themen

1. Manuscript of Yoon Dongju — Yun Dong-Ju, 1941
2. Poder que otorga Fernando de Magallanes a Diego Barbosa — bernal gonzález de vallecillo (public notary), 1519
3. Manuskript von Yoon Dongju — Yun Dong-Ju, 1941
4. Treasure of the Spanish language, or Spanish — Sebastián de Covarrubias Orozco
5. Donación de una quinta de viñas y castañales — bernal gonzález de vallecillo (public notary), 1519

Schlagworte

Tonwert

1. Donación de una quinta de viñas y castañales — bernal gonzález de vallecillo (public notary), 1519
2. Poder que otorga Fernando de Magallanes a Diego Barbosa — bernal gonzález de vallecillo (public notary), 1519
3. Letter from Gonzalo Gómez de Espinosa to Charles I on the fate of the Trinidad\n\nLetter from Gonzalo Gómez de Espinosa to Charles I on the fate of the Trinidad / Page 01 — Gonzalo Gómez de Espinosa

Hauptfarbe

1. Power of attorney from Miguel de Cervantes Saavedra to Juan de Salinas for representation in lawsuits. — luis de porras, public notary in seville., 1593
2. Spanish-Latin dictionary — elio antonio de lebrija
3. Treasure of the Spanish language, or Spanish — Sebastián de Covarrubias Orozco
4. Poder que otorga Fernando de Magallanes a Diego Barbosa — bernal gonzález de vallecillo (public notary), 1519
5. Power of attorney from Miguel de Cervantes Saavedra to Juan de Tamayo in order to be paid. — rodrigo fernández, public notary in seville., 1591
6. Manuscript cover 2 — Imam Al-Buchari, 800
7. Carta de arras de Fernando de Magallanes en favor de su prometida — bernal gonzález de vallecillo (public notary), 1519
8. Carta de pago de Fernando de Magallanes otorga a Diego Barbosa — bernal gonzález de vallecillo (public notary), 1519
9. Carta de arras de Fernando de Magallanes en favor de su prometida — bernal gonzález de vallecillo (public notary), 1519
10. Leaf from a Kalpa Sutra (Jain Book of Rituals) — Ācārya Bhadrabāhu, 401
11. Manuskript von Yoon Dongju — Yun Dong-Ju, 1941
12. Calligraphy of the Character — Yinyuan Longqi, 1671
13. Donación de una quinta de viñas y castañales — bernal gonzález de vallecillo (public notary), 1519
14. Codex XLV — north western italy scriptorium
15. Manuscript cover — Imam Al-Buchari, 800
16. Model Calligraphies from the Chunhua Era (Chunhua ge tie) Quanzhou version, part of juan 6-8\n\nImage 1 — Gustav Mahler, 1100
17. Letter from Gonzalo Gómez de Espinosa to Charles I on the fate of the Trinidad\n\nLetter from Gonzalo Gómez de Espinosa to Charles I on the fate of the Trinidad / Page 01 — Gonzalo Gómez de Espinosa
18. Manuscript of Yoon Dongju — Yun Dong-Ju, 1941
19. Quittance and letter of payment issued by Francisco de Sagastizábal — francisco de sagastizabal
20. Manuscript of Yoon Dongju — Yun Dong-Ju, 1941
21. Manuscript of Miguel de Unamuno — Miguel de Unamuno
22. Manuscript Entry in Arabic — Imam Al-Buchari, 800

andere

1. True Genealogy of the Most Ancient Boncompagni Family of Bologna etc.: pages 20-21 — Angelo Boncompagni
2. True Genealogy of the Most Ancient Boncompagni Family of Bologna etc; pages 22-23 — Angelo Boncompagni