Zeitraum

Bewegung

Stimmung

1. Kreuzgang der Lacock Abbey — William Henry Fox Talbot, 1844
2. Cast Iron Billy — Sir Joseph John Thomson, 1878

Themen

1. Postcard with a reproduction of the portrait of Fryderyk Chopin — Narodowy Instytut Fryderyka Chopina
2. Kreuzgang der Lacock Abbey — William Henry Fox Talbot, 1844
3. Loch katrine — William Henry Fox Talbot

Schlagworte

1. Kreuzgang der Lacock Abbey — William Henry Fox Talbot, 1844

Tonwert

1. Edouard Manet — David Wilkie Wynfield, 1868
2. [Unidentifizierter bärtiger Mann sitzend, eine Frau — William H. Mumler, 1875
3. Julia Margaret Cameron — Henry Herschel Hay Cameron, 1874
4. Das Grabmal von Sir Walter Scott, in der Dryburgh Abbey — William Henry Fox Talbot, 1844

Hauptfarbe

1. Kreuzgang der Lacock Abbey — William Henry Fox Talbot, 1844
2. Photogenic Drawing of a Plant — William Henry Fox Talbot, 1840
3. Cast Iron Billy — Sir Joseph John Thomson, 1878
4. Chopin — Nikolaus Eustach Maurin
5. Solomon Ingraham, Capt., (painting) — william verstille
6. Lace — William Henry Fox Talbot
7. Chekhov — Anton Pawlowitsch Lossenko
8. [Unidentifizierter bärtiger Mann sitzend, eine Frau — William H. Mumler, 1875
9. William thompson — thomas herbert maguire
10. Edouard Manet — David Wilkie Wynfield, 1868
11. Loch katrine — William Henry Fox Talbot
12. Postcard with a reproduction of the portrait of Fryderyk Chopin — Narodowy Instytut Fryderyka Chopina
13. Robert Hewson Pruyn (1815-1882) — James Robertson & Felice Beato, 1863
14. Paul Nadar, Photographie Prise Le 26 Décembre 1888 — Félix Nadar, 1888

andere

1. Charles Baudelaire — Félix Nadar, 1855
2. Talbot Converses with an Acolyte in the North Courtyard of Lacock Abbey — William Henry Fox Talbot, 1844
3. Joseph Robinson — george w baldry
4. Northern Parula Warbler, Female — Eliot Porter, 1940
5. Landscape Artist — Arthur Gilbert
6. Ernest L. Ipsen, (painting) — edwin howlan
7. Carnot President of the French Republic — aron gerschel, 1887
8. The Infant Photography Giving the Painter an Additional Brush — oscar gustave rejlander, 1856