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Woman in Veil

Descubre a Benson G. Osawe (1931-2007), escultor nigeriano pionero de la escultura moderna y defensor de la tradición artística beninés. Admira sus obras maestras y explora su estilo único en ArtsDot.com!

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Woman in Veil

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Born 1931 in Agbor, Delta state Benson G. Osawe was a post-war contemporary drawer and sculptor who was prominent in the use of different media including wood, cement and bronze. He was a native of Benin City. His father was a carver at the royal court of the then Oba of Benin Kingdom, Oba Eweka II. This sparked his early enthusiasm and interest in sculpting as a child. Under the tutelage of his father, he gained his first informal exposure to this age old artistic technique that was symbolic in the art tradition of his hometown. He went on to study at the School of Graphic Art, London (1956-59) and the Camberwell School of Art and Crafts, London (1960-65), specializing in sculpture. He returned to Nigeria in 1965 after his studies in the UK and shared a studio with Felix Idubor in Lagos. He eventually settled in his hometown where he practiced as a freelance artist from 1976. In the course of his illustrious career, Ben created numerous sculptures in bronze and wood, many of them exploring themes of African women and the African heritage and ideals. His works were widely exhibited at home and abroad.Done in 1978 in Benin, the Woman in Veil is classic from Ben who loved casting images of women. It shows a young girl dressed in a robe covering her head and body down to the level of her loins. In trying to put a name to the veil, the Islamic Hijab first comes to mind at the sight of this beauty. Her hidden arms seem to be folded (under the veil) around her chest as shown by the slight bulge in that region of her body. One can tell she is very young judging from her countenance and outlook in general.

Biografía del artista

A Pioneer of Nigerian Modernism: Exploring the Legacy of Benson G. Osawe

Benson G. Osawe (1931-2007) stands as a monumental figure in Nigerian art history, recognized for his distinctive sculptural style and unwavering dedication to preserving Benin artistic heritage. Born in Agbozoman, Delta State, Nigeria, Osawe’s artistic journey began under the tutelage of his father, a sculptor deeply rooted in the traditions of the Benin Palace, marking an early connection to the rich visual culture of Edo Kingdom. This formative influence would profoundly shape his subsequent explorations into form and materiality. His formal artistic education commenced at the School of Graphic Art in London in 1959, followed by intensive training at Camberwell School of Art and Crafts from 1960 to 1965. Focusing on sculpture, Osawe honed his craft amidst a burgeoning international art scene, absorbing techniques and concepts that would later inform his own groundbreaking approach. He skillfully blended European modernist principles with indigenous Benin artistic motifs—a duality that characterizes much of his oeuvre. This fusion represents a crucial element in understanding Osawe’s artistic vision: he sought to honor the past while embracing the possibilities of contemporary expression. Osawe’s sculptural output is characterized by striking simplicity and deliberate abstraction. Primarily utilizing wood and bronze, he created evocative figures that convey profound emotional resonance. His works often depict stylized human forms rendered in smooth, polished surfaces, reflecting a fascination with geometric shapes and exploring the interplay between solidity and emptiness. These pieces aren't merely representations of subjects; they are meditations on humanity itself—a quest to capture essence rather than literal likeness. The deliberate reduction of form – achieved through meticulous craftsmanship – underscores Osawe’s belief that artistic power resides in conveying profound ideas with minimal visual elements. The artist’s commitment extended beyond individual creations; he actively championed the revival of Benin bronze casting techniques, collaborating closely with artisans to reconstruct lost masterpieces from the royal collection. This endeavor demonstrated Osawe's profound respect for cultural heritage and his conviction that artistic practice could serve as a vehicle for preserving traditions. His tireless efforts garnered international acclaim and solidified his position as a pivotal figure in safeguarding Nigeria’s artistic legacy—a testament to his unwavering belief in the importance of transmitting knowledge across generations. Throughout his prolific career, Osawe produced numerous sculptures that explore themes of spirituality, identity, and human connection. Notable works include “Woman in Veil,” which embodies the grace and dignity of Nigerian women, and “Nigerian Woman,” a portrait imbued with symbolic significance reflecting the values of his homeland. His artistic explorations were recognized globally, achieving considerable success at auction houses, acknowledging the enduring appeal of his distinctive aesthetic and cementing his place as one of Nigeria’s most influential sculptors. Benson G. Osawe passed away in 2007, leaving behind a legacy of innovation, cultural preservation, and an indelible mark on Nigerian artistic identity—a testament to the transformative power of art and its ability to transcend borders.
Ben Osawe

Ben Osawe

1931 - 2007 , Nigeria

Datos clave

  • Artistic Movement Or Style: Modernist Sculpture
  • Artists Or Movements Influenced By This Artist: ['Benin Art']
  • Artists Who Influenced This Artist: ['His father']
  • Date Of Birth: 1931
  • Full Name: Benson G. Osawe
  • Nationality: Nigerian
  • Notable Artworks:
    • Woman in Veil
    • Nigerian Woman
  • Place Of Birth: Agbozoman, Nigeria